Search Details

Word: psychedelia (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...memory of dream." Santana was born in Mexico, and his early musical efforts fused the sound of Latin America, Afro-Cuba and basic blues rhythm into a style that dazzled flower-powered San Francisco in 1967 at the debut of his band. They rivaled even the most luscious psychedelia of the time with their low key vocals and cosmic instrumentals. Their drums hammered out traditional rock while their guitars varied between folk, jazz and Jimi Hendrix. Santana made songs like "Jingo,"Evil Ways," "Black Magic Woman" and "Oye Como Va" famous after winning spectacular acclaim for their appearance at Woodstock...

Author: By Diana R. Laing, | Title: Mardi Gras, Gurus & Dragonflies | 3/4/1977 | See Source »

...lyrics, produced the records and pocketed most of the profits. In the '60s the men who sold pop music saw women as petulant screamers (Lesley Gore) or filigreed folkies (Judy Collins). Occasionally, women defied the image makers. Janis Joplin and Grace Slick escaped briefly from San Francisco psychedelia. But separated from their back-up bands, neither prospered for very long. Joplin turned to drugs, and Slick lost her creative flair...

Author: /time Magazine | Title: Rock 'n' Roll's Leading Lady | 12/16/1974 | See Source »

What we have here is a conscious mixture of the less than definable music Traffic's made since 1967--elements of psychedelia, sixties rock, some rhythm and blues, some jazz--and the distinctive southern R 'n' B played in Muscle Shoals, Alabama. Traffic's last rhythm section, bassist Ric Grech and Jim Gordon on drums, were rockers, pure and simple, particularly Gordon's white rock/gospel/white R 'n' B background. (He was with the originators of white gospel, Delaney and Bonnie, as well as with Cocker, Leon Russell, and Derek's Dominos). New members Roger Hawkins and David Hood, on drums...

Author: By Freddy Boyd, | Title: Shoot Out at the Fantasy Factory | 2/24/1973 | See Source »

...interest for some 19th century writers who, like Coleridge and Baudelaire, were opium addicts. "With the same power of endless growth and reproduction," wrote Thomas de Quincey in Confessions of an English Opium Eater, "did my architecture proceed in dreams." Today, for an audience soaked in cheap psychedelia, Piranesi's prisons are a reminder that only complex and fastidious minds have trips that are worth recalling. They do not represent a flash of hallucination, but rather a state of mind, developed over a long span of time. Piranesi's stupendous architectural memory mutated involuntarily into dream and revealed...

Author: /time Magazine | Title: Art: Palaces of the Mind | 4/10/1972 | See Source »

...scenes are especially juicy. At one point, for reasons too amazing to explain, Joe and the ad-man participate in a freaky orgy (pronounced with a hard "g" by Joe) in the freak-infested East Village. The two hippie-haters take their share of the free sex, grass and psychedelia that abound in such haunts-and the results are, well, curious...

Author: By Frank Rich, | Title: Hard-Hate Joe at the Cheri | 9/23/1970 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next