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Snow has appeared on the silver screen before, in “Forgetting Sarah Marshall,” where Brand played the hippie pop-singer who steals away the protagonist??s dream girl. However, despite marked similarities, the happy, free-wheeling Aldous Snow from “Sarah Marshall” is nowhere near as wild or self-destructive as the character in “Greek...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Brand and Hill Hit Boston Before 'Greek' | 4/20/2010 | See Source »

...narrator, it is simply a question of “lying low” and warding off the cruelty of lovers. Yet the protagonist and Clara, caught in their self-involved and unspectacular web of emotions, are too banal for Aciman’s trick to work, and the protagonist??s dense, slogging thoughts form a thicket of angst that paralyses the narrative. He despairingly thinks, “It occurred to me that rehearsing loss to dull the loss might bring about the very loss I was hoping to avert.” This constant...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Aciman Falters in 'Nights' | 2/17/2010 | See Source »

After Carter reads a haunting passage from “Good Fortune” about her young protagonist??s theft from Africa by slave traders, the children at Banneker eagerly pepper her with questions...

Author: By Julie M Zauzer, CRIMSON STAFF WRITER | Title: Budding Freshman Author Aims to Inspire | 2/10/2010 | See Source »

...beyond the stills of history, we risk destabilising not only our ideas about the past but also our own place within that narrative. Despite this, W.G. Sebald’s “Austerlitz” stages such a staring contest, in which we—along with the protagonist??are challenged not to look away when those images dissolve, as devastating as the truth might turn...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: A Haunting Magnum Opus | 11/6/2009 | See Source »

...diptych, “The shadows of his youth,” a young man sits at the head of a table, looking solemnly past the viewer. Across the table and physically in the other panel is a blackened human skull donning a birthday party hat. The protagonist??s body, half masked by shadow, seems to refer to the title of the piece; despite the time that has passed, symbolized by the gap between the two panels of the diptych, the man cannot escape the “shadows of his youth.”The contrasting ability...

Author: By Kristie T. La, CONTRIBUTING WRITER | Title: Palma Exhibition Fails to Make Cohesive Statement | 9/25/2009 | See Source »

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