Word: proscenium
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Dates: during 1950-1959
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...forum, described by one panel member as a "mutual groping," revealed no definite policy decisions on the administration of the Loeb Center. Hugh A. Stubbins, Jr., architect of the theatre, reviewed briefly the features of the building, explaining its adaptability to proscenium, Elizabethan, and full-round productions...
...Theatre itself is circular; and its pioneering design includes a titled, inflated, lens-shaped nylon roof 145 feet in diameter. With a maximum seating capacity of about 1800, the Theatre has a stage flexible enough to accommodate either proscenium or three-quarters-arena productions...
...unpredictable circumstances. William Morris Hunt '36, the C.D.F.'s Executive Producer, has announced that 80,000 persons attended the summer's offerings. The major remaining problem for the new Theatre is its acoustics. During the summer several amplification arrangements were tried; the one used for Much Ado, the sole proscenium production, turned out to be the best. But the acoustics are still not wholly satisfactory; perhaps the solution demands a concave roof and solid, airtight walls...
...stage. The audience completely surrounds the stage area, sort of in the style of a diminished Yale Bowl. Further, there are very few rows of seats, so nowhere are you more than a few feet from the actors. As the large majority of modern plays are written for the proscenium stage, or the room with three walls, as someone once called it, there are distinct problems of staging at Tufts. One of the most obvious of these is how to point your actors. On the proscenium stage there is no problem, you point them toward the audience. When the audience...
...theatre is of circular shape. It has a tilted, inflated, lens-shaped nylon roof 145 feet in diameter. The stage is flexible enough to accomodate either proscenium productions or three-quarters-arena shows. The seating capacity is approximately...