Word: prologueã
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Both creators of “Hypermusic Prologue?? graced the stage of the New College Theater on February 24 to participate in one of two discussions titled “Two Talks: The Art-Science Nexus.” The event, which was sponsored by the Office for the Art’s Learning From Performers Program, shed light on the creative process behind “Hypermusic Prologue?? and the challenges of translating such abstract subject-matter to the stage...
Just as “Warped Passages” appealed to the lover of literature, so too will “Hypermusic Prologue?? appeal to the music-lovers of the world and bring elements of science into an artistic scene typically void of such empirical discourse...
While some of these finer points about the physics behind “Hypermusic Prologue?? may have been lost on the crowd, the opera itself was certainly appreciated by the audience. The event incorporated videos of the original production, as well as musical recordings featuring the vocal talents of soprano Charlotte Ellett and baritone James Bobby. These multimedia elements enlivened the discussion with concrete examples of Parra and Randall’s collaborative efforts...
...Hypermusic Prologue?? has already been very successful, but it looks as if the opera will have future life as well. Besides a workshop performance at the Longy School of Music on February 27, the production will make its way in March to the Guggenheim Museum in New York...
...atmospheric “Prologue?? that begins the soundtrack, with its tinny, haunting melody, conjures images of fallen leaves swirling in an autumn breeze under a full moon. It is the music of cinematic anticipation, of something wondrous about to happen. A movie cliché, perhaps, but one that is tremendously effective for Rowling’s world of wizardry...
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