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...piece together his wretched figures, Bacon spent a lifetime ransacking art history. From Poussin he took the mouth of a screaming mother in The Massacre of the Innocents and from Degas the arched back of a woman bathing herself in a tub. Eadweard Muybridge's sequential photos of wrestlers gave him a perennial motif--sex as sexual combat. He also drew from sources far outside art. One of his favorites was an illustrated medical text about illnesses of the mouth. He worked from reproductions, movie stills and photographs of all kinds pinned to the walls of his studio and scattered...

Author: /time Magazine | Title: Tragic Hero: A Majestic Francis Bacon Show | 4/30/2009 | See Source »

...that he took whatever he needed from art history. From Poussin came the mouth of a screaming mother in The Massacre of the Innocents and from Degas the arched back of a woman bathing herself in a tub. He also drew on sources from far outside art, things like an illustrated medical text about illnesses of the mouth. He worked from reproductions, and from photographs of all kinds pinned to walls and scattered on the floor of his studios in a muck of paper, rags, used brushes and broken furniture that he dived back into for ideas...

Author: /time Magazine | Title: Francis Bacon: Tragic Genius | 9/25/2008 | See Source »

...Bresson may be to cinema what Poussin is to painting: an undeniable master whose supremely reserved style, while not easy to warm to, must be reckoned with by anybody seriously interested in the medium. Yet his work feels most like that of his beloved Cezanne, something like the last word in modernism. He's often paired with Dreyer because of their shared taste for visual and narrative austerity and because of the book Transcendental Style in Film; Ozu, Bresson, Dreyer, a seminal work of film scholarship by the screenwriter and director Paul Schrader...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...there's actually no villa) offers one of the most romantic walks in Europe. It winds through luxuriant wooded paths, natural grottoes and ancient ruins, and leads to a spectacular 120-m waterfall. The landscape, featuring 2nd century B.C. architecture, inspired such 17th and 18th century artists as Nicolas Poussin and Jean-Honor? Fragonard, and became a must-see stop on the Grand Tour. Later, Villa Gregoriana was admired as much for its role in averting floods as for its natural beauty...

Author: /time Magazine | Title: After the Flood | 6/6/2005 | See Source »

...there's actually no villa) offers one of the most romantic walks in Europe. It winds through luxuriant wooded paths, natural grottoes and ancient ruins, and leads to a spectacular 120-m waterfall. The landscape, featuring 2nd century B.C. architecture, inspired such 17th and 18th century artists as Nicolas Poussin and Jean-Honoré Fragonard, and became a must-see stop on the Grand Tour. Later, Villa Gregoriana was admired as much for its role in averting floods as for its natural beauty. The flood-prone Aniene River washed away a good part of inhabited Tivoli in 1826, so Pope...

Author: /time Magazine | Title: After the Flood | 6/2/2005 | See Source »

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