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...poisoned, murdered. The police of Menlo Park ordered his oats examined. For three days, Government chemists analyzed samples of grass and leaves which Phar Lap might have nibbled. Then W. W. Vincent, chief of the Western District of the Food & Drug Administration, announced that tests on grass from a plot whence Trainer null had pulled green fodder for his charge showed .01 grains of arsenic per pound. The poison could have been blown into the plot of grass from nearby trees which were lately sprayed. The spray, in addition to the arsenic, contained arsenate of lead. But Dr. Karl Meyer...

Author: /time Magazine | Title: Sport: Wink of the Sky | 4/18/1932 | See Source »

...plot is trite and seemingly devoid of interesting detail, but Mr. Roberts has used it to write a happy and whimsical novel, one thoroughly entertaining, and requiring no particular attention...

Author: NO WRITER ATTRIBUTED | Title: BOOKENDS | 4/16/1932 | See Source »

...plot of the drama centers around a group of wax figures in a Paris Museum. Napoleon, one of these, decides to see the modern world. In doing so, he encounters everything from a peace conference to a motion picture actress's boudoir. He finally returns to his waxen immobility, determined to let the world take care of itself...

Author: NO WRITER ATTRIBUTED | Title: MEYER TO PLAY NAPOLEON | 4/16/1932 | See Source »

...plot of Devil's Lottery is really the invention of one of its characters, Lord Litchfield (Halliwell Hobbs) who, when his horse King Midas wins the Derby, invites all the people who have held winning lottery tickets to a party at his house. Evelyn Beresford (Elissa Landi) turns up, accompanied by a scapegrace Army officer whose wife is absent and in poverty. The officer (Paul Cavanagh) plays cards with a clownish prizefighter (Victor McLaglen) and wins. The prizefighter tries to steal from his mother (Beryl Mercer) to pay the money and his mother dies of fear. The prizefighter then kills...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 11, 1932 | 4/11/1932 | See Source »

...accent which Director Ernst Lubitsch* gives to scenes like this and the polish with which Young, Chevalier and Charles Ruggles act them, that make them much funnier than they have often been before. The plot of One Hour With You is not startlingly new. Director Lubitsch himself used it before in a silent cinema called The Marriage Circle, but this time he has given it a new informality, with tricks which other Hollywood directors are bound to imitate. Chevalier addresses the audience from time to time and tells them, to make sure that they understand the story, that...

Author: /time Magazine | Title: Cinema: New Pictures: Apr. 4, 1932 | 4/4/1932 | See Source »

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