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...from the Socialist Soviet Republic, "Soil is Thirsty" bludgeons the great truths of the class war into the consciousness of the audience; the suffering Turkmen in Turkestan are rescued from their Capitalistic overlord by five young Russian engineers. With this simple salvation of the proletariat for a theme, the plot manages to create a blood-and-thunder milieu, filled with hurricanes, dynamiting, death, and a happy ending. The Turkmen are virtual slaves of the cruel heavy, a Bey with a sneer and black waxed mustachios; the Musselmen laboriously draw water from deep wells for the garden of fig-trees...

Author: By J. H. S., | Title: THE CRIMSON PLAYGOER | 6/2/1932 | See Source »

...rights, is jailed again for singing to flowers. Again he escapes, chases a pretty girl (Rolla France) into the phonograph factory, is herded into line, disrupts the phonograph-assembling routine with his fumbling individualism, finally confronts the phonograph tycoon, his old convict pal, disrupting also his routine. The plot now begins to spin like a pinwheel. Blackmailers, a love interest, the police, a fabulous Magic Park for lovers, a lost suitcase with the tycoon's fortune, make a buoyant arrangement in nonsense, ending with a ceremony to celebrate the factory's wiring for entire mechanization, no humans required...

Author: /time Magazine | Title: Cinema: The New Pictures: May 30, 1932 | 5/30/1932 | See Source »

...Babby for family inspection. Joe's sister Cornelia is coming down from Hollywood to spend the weekend. Most important for Joe is a call from Monica, his secretary and truelove, that she is bringing out the McKelveys that afternoon. Maybe Joe will be able to sell McKelvey that plot of land on the canyon's top. If he cannot, he is bankrupt, ruined...

Author: /time Magazine | Title: Books: Ruthless Pity | 5/30/1932 | See Source »

...opportunities for entertainment in Boston this week are distressingly curtailed, what with the theatres dark and "The Woman in Room 13" distributed about the town at the Fenway, Modern, and Beacon. It is a weird "plot pourri" of all the tales handed in at the Fox office this last twelvemonth. Miss Landi tramps along through a divorce court, a murder court, and out to the glaring sunlight of a tennis court where she serves very badly, and back again into prison to see her husband serve for his double fault. It is a grotesque slow-moving business made possible...

Author: By E. E. M., | Title: CRIMSON PLAYGOER | 5/24/1932 | See Source »

Congress Dances is a new cinemusical type, noteworthy for its formality, charm, wit and innocence. It accents spectacle and pace, largely ignores plot implications. Conrad Veidt, an expert in menace parts who resembles Alfred Lunt, lets his face alone in this picture and is as cheerful a villain as he can be a gloomy hero. Lil Dagover is also on view as Tsar-bait. The Hollywood technique of getting the maximum out of a gag or situation is notably lacking in Congress Dances, hence its U. S. success is doubtful. Good shots: Metternich in a darkroom reading code despatches against...

Author: /time Magazine | Title: Cinema: The New Pictures: May 23, 1932 | 5/23/1932 | See Source »

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