Word: plotting
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...Dawn Over, Ireland," the first picture completely produced and acted in the Emerald Isle is chiefly interesting for its realistic portrayal of the dark days following the Easter Rebellion of 1916, when the small Irish Republican Army was doggedly twisting the British Lion's tail. A trifle Algeresque, the plot tells how a young Irish patriot (Brian O'Sullivan), suspected of being an "informer" by his mates, is ostracised and in revenge joins the British "Black and Tans." A threatened raid on his former fellows brings him to his senses in time to warn them of it, and lead...
Last week, the Campbell-McGee parade reached its logical destination. After a trial, in the course of which the judge announced that he had foiled a plot whereby a woman juror was to receive a $25,000 bribe for holding out for acquittal, a jury, sequestered in the Statler Hotel, found Messrs. Campbell & McGee guilty as charged. Same day, accompanied by policemen but not by their musicians, Messrs. Campbell & McGee motored to Ohio Penitentiary, to start serving one-to-five-year sentences...
...Girl of the Golden West (Metro-Goldwyn-Mayer) plasters opulent prettiness, vociferous songs and an assortment of plot cliches all over David Belasco's ancient yarn about the mad, bad days in early California. Walter Pidgeon, sheriff of Cloudy Mountain, and Bandit Chief Nelson Eddy are rivals for Jeanette MacDonald, pastel-tinted proprietress of the Polka Saloon. Eddy's dimples, wavy hair and roly-poly pinkness satisfy the popular idea of a rakehell bad man about as well as they did that of a West Point football player in Rosalie. Miss MacDonald's concession to her role...
Accepting nothing but the title of Kate Douglas Wiggin's pig-tailed story, "Rebecca" makes a brave effort to amuse. Surrounded by pleasant people (Gloria Stuart, Randolph Scott, Bill Robinson, Slim Summerville), Miss Temple gives a mature and finished performance within a plot that seems somewhat septuagenarian. It is about Little Miss America, her starched Aunt Miranda, and a vigorous radio executive, and it ends in music...
Vardis Fisher's candid, uneven, sometimes powerful tetralogy (In Tragic Life, Passions Spin the Plot, We Are Betrayed, No Villain Need Be) reminded critics of Rousseau, Zola, Dostoyevsky, Dreiser, D. H. Lawrence (but not, oddly enough, of Thomas Wolfe). This four-decker autobiographical chronicle told the tormented story of Vardis Fisher's fight to free himself from acute egomania and puritan repressions...