Word: plotting
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Majesty's Government last week a whirlwind of Labor charges that they have secretly recognized the Spanish Rightist Government. Alba, one of the very bluest-blooded grandees of Spain and one of the wealthiest under King Alfonso XIII, announced in regard to the affair: "It was a plot of the Reds, that...
Mazo de la Roche's Jalna, novels are second-rate Forsyte Saga, gain nothing from being dramatized. As a picture of genteel rapacity, Whiteoaks does nothing in three acts it could not do better in one. Its sharpish characterizations never make up for its dragging plot. Actress Barrymore, looking like a cross between her Brother Lionel and the wolf dressed up as Red Riding Hood's grandmother, carries the whole play on her bent, centenarian back. Her expert performance gains in effect from the audience's kindly feeling that anything a 101-year-old woman says...
...skill and care. But in an effort to turn honest document into honest-to-God drama, Playwright Albright introduces a hobbling version of the modern-minded young medico balked by his old-fogy superior, lugs in the love of two staff doctors for the same nurse. These concessions to plot bore like termites through the sound timber of the play's background, leave it rather hollow...
After finishing Fools for Scandal, Producer LeRoy, a son-in-law of Triumvir Harry M. Warner, left the family plot for a production berth at Metro-Goldwyn-Mayer, safe from barbed thrusts about nepotism. Sawed-off, narrow-eyed, cigar-waving Producer LeRoy is still hailed, at 37, as the Boy Wonder. At five he fell three stories in the San Francisco earthquake, landed unhurt on a mattress. At nine, engaged at $2.50 a week in a stage production of Barbara Frietchie to watch for the Rebels from a prop tree, he fell out of the tree, got a raise because...
...Charm of La Boheme (Intergloria Film) sets characters very like Puccini's Mimi and Rodolfo on a tragic course in a modern cinema plot, contrives to fit the woeful wind-up into La Boheme's familiar last act. With vigorous operatic Tenor Jan Kiepura and his cinema-songstress wife, Marta Eggerth, singing the opera's chief arias, the music charms, the film's scheme proves a workable one for bringing grand opera to the screen...