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...than being more people, adding support to whatever the authorities said and subtracting courage from whatever impulses of defiance the dazed team members could muster. The one assigned to shunt us from room to room had just the faintest suggestion of eyes beneath foot-thick glasses with huge black plastic frames. The curl of his lips when he yanked Dave Gordon half-dressed from the dressing room for the "dress rehearsal" was enough to grow boils on your heart. "Every minute is costing us money," he said on the way through the labyrinthine corridors to the studio...

Author: By Anne DE Saint phalle, | Title: A Trip to New York | 11/26/1968 | See Source »

Hole in the Doughnut. Aero-Go's gadget goes to work after ground crews have rolled a plane's wheels onto small, dolly-like platforms. Underneath each platform are air bearings-flat disks made of plastic-fabric materials. When air is pumped into the disks, they assume a doughnut shape, raising the platform and its heavy load from 1 to 3 in. As the bearings become inflated, air escaping through perforations in the doughnut seeps underneath it. That thin film of escaping air suspends platform and plane above the concrete surface...

Author: /time Magazine | Title: Technology: On a Cushion of Air | 11/22/1968 | See Source »

Bill Bellinger, 29, makes dumb-looking sculptures that consist of a piece of rope slung from floor to ceiling. Keith Sonnier, 27, puddles flimsily sensuous Dacron on the floor. David Lee, 31, hangs clear sheets of plastic from the rafters. Richard Tuttle, 27, tacks up wrinkled octagons of canvas...

Author: /time Magazine | Title: Art: The Avant-Garde: Subtle, Cerebral, Elusive | 11/22/1968 | See Source »

...fact, on a deeper level Forman's film and his previous release, Loves of a Blonde, are so relaxed and unimposing that they offer a real contrast to contemporary cinematography. With no hero, no violent or explosive action, and no plastic characters with expressions of angst molded into their features, this portrait of Czech life is singular in its impact. Instead of extraordinary experience or bigger than life tragedy, there are pathetic vignettes about totally unexplained but quite believeable people. In place of the complete involvement of constructed suspense, there is the uneventful yet amusing commonplace. It is reality...

Author: By Ronald H. Janis, | Title: The Firemen's Ball | 11/21/1968 | See Source »

AMIDST the plastic flora and fauna of Disneyland, a small and inconspicuous pavilion called The Art of Animation offers interesting lessons in cartoon esthetics. The literal nature of Disney's imagination extended past content into form, and the realistic movement in his animation enabled him to apply classical film technique to the product of his studio. The Disneyland display, a series of museum pieces and classic film technique to the product of his studio. The Disneyland display, a series of museum pieces and classic frame blow-ups, led to a projected sequence from one of the full-length cartoons--Sleeping...

Author: By Tim Hunter, | Title: Yellow Submarine | 11/19/1968 | See Source »

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