Word: planetarium
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Dates: during 2000-2000
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Touching down on the West Side of Manhattan in late winter was a wondrous new vehicle for transport to the stars: the Hayden Planetarium, centerpiece of the $210 million Rose Center for Earth and Space. The 87-foot aluminum sphere that is the Hayden's core seemed to float inside a 10-story glass-walled cube, which is the Hayden's outer shell. "A cosmic cathedral," was how architect James Polshek proudly described his creation. A planetarium is, of course, only a transmitter of outer space to those of us on terra firma. By contrast, the new space station...
...ROSE CENTER FOR EARTH AND SPACE The new planetarium addition to New York City's Museum of Natural History is a 21st century update of an 18th century dream. Architect James Stewart Polshek's simple design, a metal sphere set in a mostly glass cube, is a homage to the unbuilt ball that Etienne-Louis Boullee conceived in 1784 as a memorial to Sir Isaac Newton. It tells of the grandeur of the universe itself, speaking in the language of both classic modernism and very high tech...
...Design A heavenly planetarium; a serene memorial...
...largest collection of presidential materials ever because its subject is not only the most investigated President in history but also the most photographed, most recorded and most documented. The building is being designed by one of America's leading architects, James Polshek, who did the new, award-winning Hayden Planetarium in New York City. The exhibits that will tell the story of Clinton's life and times are being curated by Ralph Appelbaum, who worked on the planetarium as well as the distinguished U.S. Holocaust Memorial Museum in Washington. Clinton is, not surprisingly, "one of the most attentive clients...
...firm is best known for subdued historical renovations, but he and partner Todd Schliemann conceived the Rose Center as a brisk geometric eruption, like I.M. Pei's Louvre pyramid, that shakes up the buildings around them. The old Hayden Planetarium, demolished to make way for the Rose, had blended all too well with the museum's flavorless north end. Polshek's forms, by contrast, operate on our deepest fantasies about the order of the universe. His sphere is covered with steel panels that inscribe it with meridians and latitude lines, so it stands in easily for the earth...