Word: pigmentation
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Dates: during 1990-1990
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...even be assessed now. For in pursuit of jewel-like effects and deep layering of color, Ryder painted "lean over fat," so that slower-drying strata of paint underneath pulled the quicker-drying surface apart. He would slosh abominable messes of varnish on the surface, and pile up the pigment by incessant retouching until the images became quaking pitch lakes...
...depression that caused the painter to jump from his own balcony in Antibes -- as "the most considerable, the truest and the most fascinating young painter to appear on the scene, in Europe or elsewhere, during the last 25 years." His influence was wide. Those cakes of thick pigment, those creamy, generous brushstrokes inlaid like rough marquetry over their contrasting grounds, struck many artists in the 1950s as a viable alternative to the linear, quasi-geometric abstraction that had grown out of the cubist grid. But though De Stael had a healthy effect on two or three major artists, especially...
...painter's form, the pigment is both concrete and extremely sensitive. De Stael could give a sheet of paint, applied with a wide palette knife, the receptivity and sheen of skin, inserting gradations of color so subtle that they have no hope of showing up in reproduction. In Nice, 1954, with the simplest means -- a few bars of awning-green and two shockingly vivid shapes, a red and a black, that may signify deck chairs or possibly buildings -- he could put you right in the middle of a Mediterranean summer. Still, the punch of the image, which would otherwise...
...base of the epidermis and work their way toward the surface. Near the base, they are plump and are called basal cells. But as they move outward, they flatten to become the squamous cells that form the skin's tough, protective surface. Melanomas spring from melanocytes, cells that produce pigment...
...facade is a looming cliff of blue shadows; as the light moves onto its face, it becomes a stupendously intricate cellular structure, a vertical reef of stone, its grain and warmth evoked by the texture of the paint, flushed by radiance, in which every last touch of pigment seems operative...