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...window onto a scene. He compels your attention instead to the fact that it's a field of marks on a flat surface. In a mature Cézanne, every brushstroke leads a double life, as part of a painterly illusion and as a thing in itself, a patch of pigment on a canvas. This opened the way to everything from Cubism to abstraction. And as the Philadelphia show makes clear, it was a discovery that continues to reverberate more than a century later in the work of living artists like Ellsworth Kelly, Jasper Johns and Brice Marden...

Author: /time Magazine | Title: The Master of Us All | 2/26/2009 | See Source »

...true that the discoveries of Picasso and Pollock don't much ruffle the grave surfaces of Wyeth's work. For much of his career he painted not only in watercolors but in tempera, a pigment and egg-white medium that predates oil paint. His only art school was the Chadds Ford home he grew up in. His father was the greatly gifted illustrator N.C. Wyeth, whose thronged imaginings of scenes from Treasure Island and The Last of the Mohicans made him rich and famous. He decided early on that his talented son should also be an illustrator...

Author: /time Magazine | Title: Andrew Wyeth's Problematic Legacy | 1/17/2009 | See Source »

...Wadsworth Atheneum in Hartford, Conn.; and Currier Gallery of Art in Manchester, N.H. * Drybrush, used by Wyeth's mentor of the miniature, Albrecht Dürer, as early as 1450, is more like drawing than watercoloring in technique. The artist works over still wet washes of water-soluble pigment with a brush dipped in concentrated color and squeezed almost dry. The stiff bristles, flattened and frayed looking, add textures of weight and depth. "I use it for the grass on a hill, for example, or the bark of a tree," says Wyeth. * The National Gallery of Norway in Oslo...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

...Imagine for a minute that books disintegrate as soon as the publisher goes out of business, or that paintings fade away when their particular brand of pigment is no longer in use. This is the world of Digital Rights Management, in which digital media files are encrypted and hidden from their owner unless a server at Sony or Apple explicitly allows them to be played. When these companies collapse, the media files will be worthless. Every encrypted iTunes download strengthens the hold of DRM, so smash your computer before it’s too late. 2. Vista Now that Apple...

Author: By Mark A. Vanmiddlesworth, CRIMSON STAFF WRITER | Title: Top Five Reasons to Smash Yr Computer | 12/11/2008 | See Source »

Mark Rothko is the great thundercloud of 20th century American painting, a man who struggled to find a way for mere pigment to summon immense reservoirs of feeling, and who took his own life when the struggle proved too much. This is why one of the most baffling episodes in Rothko's story has to do with the Seagram murals, a suite of vast, brooding canvases he produced for Manhattan's sparkling Four Seasons restaurant. Rothko was an artist who could say, and mean it: "The sense of the tragic is always with me when I paint." And the Four...

Author: /time Magazine | Title: Mark Rothko: Art of Darkness | 10/2/2008 | See Source »

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