Word: pigment
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Dates: during 1920-1929
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...this reversal of the laws of man and nature is that Boston's antecedents are too puritanical in the unfavorable sense, to permit even the abundance of professorships to counteract its influence. The blue laws are as yet of too deep a hue to be dissolved by any pigment, whether it be red or merely a rosy pink. So until New England has forgotten the strain of her ancestors, the persecutors of Hester Prynne, she will continue to confuse issues and to forget, the phrase on the cacutcheon--"Honi Soit Qui Mal Y Pense...
...Conant '13, Associate Professor of Chemistry, to investigate the nature of the linkage between the protein and the pigment in hemoglobin and the nature of the changes involved in the oxidation and reduction of the pigment...
...draped figures. Nudes, with the controlling necessity for form, were a tax upon his patience. They were also a tax upon his knowledge for he had never learned the grammar of art; he composed with genius, but his drawing would not parse. He was a master of tone. His pigment, always transparent, was thinned with a vehicle-Siccatif de Haarlem or Siccatif de Coutrey-if he was in haste for drying. He admired the Dutch. He feared the Spanish. "Dishwater," he said, sticking out his tongue at a picture of Rousseau's. The best collection of his work...
...exasperated critic notwithstanding, there was really a great deal to see besides bedroom ladies, some 3,500 works in all-processions, cavalcades, crosses, St. Anthony in a dozen poses, cardinals, heroes, canals, churches, inscrutable dishes of fruit, chaotic spasms of pigment labeled "Mood," "Flight" and other rapt generalizations. . . . There was a sturdy young Russian landscapist who has been studying of late years at the Philadelphia Academy, Captain Vladimir Perfiliev, erstwhile of the Don Cossacks. He had painted the grim mountains of Montenegro and the bright Balkans beyond, and if you went with him to his studio he had some very...
...more than 100 years old, or for estimating in some cases the evidence of authorship on more tangible grounds than style and feeling. This development involves the detection of repaint. . . Also a new method or studying the materials used by the artist, including woods, canvasses, gesso, and other rounds, pigment--both old and new--and the various methods of manipulating these materials...