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Godard further made the subject of each film work as its method. Thus Pierrot le Fou is a romance (subject) realized in flowing colors, soaring music, and a hero whose journey through this setting is the motive and organizing force of the drama (method). Individual alienation becomes the method of Breathless through a hero who conducts a very detached investigation of his surroundings. Weekend's subject is general alienation in a capitalist society, and its method is to follow characters through a bourgeois countryside. But these characters, being alienated themselves, have no serious moral responses to the terrible events they...

Author: By Mike Prokosch, | Title: The Death Of American Films | 7/3/1969 | See Source »

...albino rats at a Texas Tech University laboratory were given some musical entertainment. One group of newborn rat pups was exposed to selections from Mozart-The Magic Flute, Symphonies 40 and 41, the Violin Concerto No. 5. A second group audited an equivalent daily dose of Arnold Schoenberg-Pierrot Lunaire, Verkldrte Nacht and Kol Nidre, among other compositions. The third set of rats, appointed as a control, heard nothing but the whirring of a ventilation...

Author: /time Magazine | Title: Animal Psychology: Music Hath Charms . . . | 5/30/1969 | See Source »

...Pierrot is not a pessimistic statement on the meaningless of human existence. There is too much beauty in the film to be able to come away with a feeling of total despair. In Godard's words, "the cinema, by forcing reality to unfold itself, reminds us that we must attempt to live...

Author: By Theodore Sedgwick, AT THE ORSON WELLES | Title: Pierrot Le Fou | 5/2/1969 | See Source »

...easy, Pierrot Mon Ami, he writes, "we'd be better off for the time being not so much with questions and answers as with streams of feelings flowing into the sea of reflections or vice and versa instantaneously...

Author: By Theodore Sedgwick, AT THE ORSON WELLES | Title: Pierrot Le Fou | 5/2/1969 | See Source »

...Pierrot started asking Marianne questions, trying to find out what she was like. "You speak to me with words and I look at you with emotions," she lamented...

Author: By Theodore Sedgwick, AT THE ORSON WELLES | Title: Pierrot Le Fou | 5/2/1969 | See Source »

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