Word: pierrot
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Dates: during 1980-1989
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...careered into the art world in the late 1970s with images of homosexual sadomasochism. But on the back cover he offered a different version of himself, bare chested and slender, in pale makeup: the artist as breakable cherub, with a whiff of androgyny and maybe a hint of Pierrot, the pantomime clown. Perhaps it was this Mapplethorpe who made his other pictures, the voluptuous orchids, the portrait faces glowing like bulbs in the dark, the riveting nudes...
...this reliance on technique and surface flash flirts with fashion (Cat Vocalist Ben Volpeliere-Pierrot turned his cap front to back and started a fad) and plays fast and loose with the built-in impermanence of pop. It also makes most Britpop inbred and narcissistic and ripe for a revisionism that may already be happening. Upstart groups like the Godfathers, the Zodiac Mindwarp & the Love Reaction, and Gay Bikers on Acid are harking back to the brash activism and overheated playing of the late-'70s Clash era. In Hull, 150 miles north of the London scene, the Housemartins are purveying...
...British Empire. Yet of all his roles, Coward is likely to be remembered best as the songwriter with a taste for the bittersweet. Like Porter, he shied from passionate expression, sometimes in the belief that love, like moonlight, was "cruelly deceptive"; sometimes because he saw himself as an English Pierrot, the clown whose laughter cannot quite disguise the catch in his throat. Of the nearly 300 songs in Coward's collection, the dead-on love ballads are the weakest: "Time and tide can never sever/ Those whom love has bound forever" serves to remind the reader that Coward grew...
...Jascha Heifetz's Mozart. [It] tries . . . to make out of the greatest musician the world has ever known something between a sentimental Pierrot and a Dresden china clock...