Word: pickhardt
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Dates: during 1940-1949
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Although his work is not as fully represented, the two pieces by Howard Turner '41 are sufficient to place him in the first rank of the exhibitors. His watercolor view over Boston housetops captures all the warmth and richness of Beacon Hill brick against the late afternoon sky. Carl Pickhardt '31 has four lithographs in the show, all very simply and very powerfully executed, especially the "Pieta" and the "Christ at Emmaus," with its Grecolike faces, and minimum of light areas. His work suggests the influence of stained-glass window design, with heavy lines blocking off areas of black...