Word: pianists
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Dates: during 1950-1959
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...Florence. To the Draper home at 19A Edith Grove came such notables as Painter John Singer Sargent, Writers Norman Douglas, Gertrude Stein and Henry James. The great preoccupation at 19A Edith Grove was music, some of it provided by husband Paul, more of it by Cellist Pablo Casals. Pianist Artur Rubinstein or Singer Feodor Chaliapin. Beginning late in the evening, the music often lasted till morning, when everyone would adjourn to the dining room for breakfast, which sometimes included champagne-and raspberries. The raspberries were especially favored by Impresario Montague Vert Chester, who cared little about what he ate, provided...
...cognoscenti gave their closest attention to the Festival Piano Quartet (a string trio and piano). Its players were famous "lone wolves of music," Pianist Clifford Curzon, Violinist Joseph Szigeti, Violist William Primrose, Cellist Pierre Fournier, and its founder was the late great Pianist Artur Schnabel. Like most serious musicians, the big-name soloists love to play chamber music; for the privilege of playing together, they agreed to accept fees far below their normal standard. Their performances of Brahms, Schubert and Fauré were brilliant. But few listeners outside of Edinburgh will have a chance to hear them: the quartet will...
...Might as Well Be Spring (Marion MacPartland; Savoy). The English-born pianist gives this shy song just the right tone with a clear texture and a simple counterpoint...
Standouts in the first release: Master Pianist Artur Schnabel (who died last year) playing two important Mozart concertos, the portentous D Minor, K. 466 and the C Minor, K. 491, with strength and tenderness; Conductor Wilhelm Furtwangler, making the Vienna Philharmonic perform with the best in Beethoven's Symphony No. 7, Schubert's Unfinished and Mozart's Symphony No. 40 in G Minor; Violinist Yehudi Menuhin at his dazzling peak in Paganini's popular, pyrotechnical Concerto...
Music was as ubiquitous as Muzak at the Tanglewood festival in Lenox, Mass. last week. As the Boston Symphony's 16th summer season came to a close, Pianist Artur Rubinstein and Conductor Charles Munch performed for 10,000 listeners in & around the wall-less Music Shed. Then Leonard Bernstein took the podium to lead a concert and a revised version of his 35-minute-long opera, Trouble in Tahiti (TIME, June 23). At week's end, there were three orchestral programs, one for chorus and one of chamber music. The grand finale : a 280-man performance of Berlioz...