Word: photographsã
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Dates: during 2002-2002
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...selection process that was more rigorous than in years past, a panel of VES studio professors chose about 40 pieces—including paintings, sculptures and photographs??from over 100 submissions...
...remaining photographs and paintings are more difficult to categorize as they straddle figurative and landscape art, and thus can be characterized by the conflict or harmony of the figure’s interaction with landscape. There are three photographs??by Collier Schorr, Gregory Crewdson and Todd Hido—and three paintings—by Tim Gardner, Elizabeth Peyton and Catherine Murphy. The Schorr is a literal and picturesque depiction of man in nature. The Crewdson and Hido photographs are interesting views of the domestication of landscape and the superposition of natural elements and images of suburbia...
...exquisitely intimate prints is her choice of subject matter. Granted, New York has been documented to such a great extent as to make more examination moderately mundane, but in an era when the American psyche is still preoccupied with the collapse of a major monument, her choices of photographs??taken from the 1960s to the early 1990s—featured in this exhibition are presciently subversive. This is not the New York of towering skyscrapers and frenetic energy. This is not the New York that never seems to lie dormant...
...were tastefully done, that they were more art than pornography—I was wearing a bow tie in them. But apparently the Miss Teen USA judges had a problem with the whole having-a-penis thing. My second crown was revoked for the same reason (different set of photographs??this series was set in the Australian outback). I guess they had forgotten about the first incident...
...lines were out the door and down the block—that it may move to a more permanent space in midtown Manhattan, and there are traveling exhibitions throughout the U.S. as well as on their website. It is, in two senses, a “democracy of photographs??—a democratic exhibition about a democracy meeting crisis...