Word: papp
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...immediate smash. New York Times Critic Frank Rich wrote, "So sue me . . . Mason was very, very funny." The professionals closed ranks behind the comedian: Writer-Producer Larry Gelbart (M*A*S*H) returned eight times, and Mel Brooks announced that "nobody makes me laugh harder." Joe Papp, producer of the New York Shakespeare Festival, went further. When Donald Moffat appeared as Falstaff in Henry IV, Papp instructed him to "do it the Jackie Mason...
...admirers crammed into the Second Avenue Theater to watch excerpts from his ebullient farces and to pay tribute to the artist whom Playwright William M. Hoffman called "the funniest man in America." Madeline Kahn recalled her college days with Ludlam. Joseph Papp and Geraldine Fitzgerald spoke of his prodigious energy. Finally, Everett Quinton -- Ludlam's colleague and for years his lover -- walked onstage to a standing ovation. Throughout the evening he had manfully cavorted through such roles as Flosshilde in Der Ring Gott Farblonjet, Alice in Conquest of the Universe or When Queens Collide and Lamia the Leopard Woman...
...cloth to stand for everything from snowflakes to a marriage tent, as the Royal Shakespeare Company has done. Nor does Ashland's Measure for Measure turn the chaste novice nun Isabella into a marriage-minded maiden, winking at having got her man, as New York Shakespeare Festival Director Joseph Papp did last summer in Central Park. The result is that Ashland's interpretations are rarely revelatory -- but just as rarely misguided...
When Joseph Papp, the nation's leading impresario of serious drama, decided to produce Cuba and His Teddy Bear at New York City's Public Theater, stage veterans gaped at the good fortune of Playwright Reinaldo Povod, 26. A product of Manhattan's turbulent Lower East Side, Povod had never before even written a full-length play. Envy turned to astonishment when Papp announced the show would star Oscar Winner Robert De Niro in his first stage effort since 1970's One Night Stands of a Noisy Passenger. The seven-week off-Broadway run sold out in three hours. After...
...Boheme, sung in a flip, funny new English version by Lyricist David Spencer, is no Pirates-sized smash, but its opening night last week, in Papp's tiny Anspacher Theater, was a modest, almost bashful, success. This is petit opera, not grand, but there is a clear gain in warmth and intimacy at the level of drama. The singers use body mikes instead of heroic rib cages and Pavarottal diaphragms, but they are young and good-looking, and they have no trouble seeming appropriately broke and love-sopped (nor in delivering Spencer's sometimes jarring lines...