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Color is most useful to variety shows and musicals, as was demonstrated by Remember How Great, a melodious catchall in which everything from Juliet Prowse to the Hermes Pan Dancers looked like pigments of the imagination. It seems least important to panel shows (Concentration had a special technical block, with its enormous Scoreboard photographed in black and white so that viewers could read the pattern). But even in this category, color provided an occasional extra touch, such as the garishness of the goods displayed by The Price Is Right and the geriatric authenticity of a little old lady with blue...

Author: /time Magazine | Title: Television: Pigments of the Imagination | 2/17/1961 | See Source »

American business and the U.S. Government must meet the Russian economic threat by joining in a search for "new horizons" for private investment abroad, according to a panel discussion last night with Sinclair Weeks '14, former Secretary of Commerce...

Author: NO WRITER ATTRIBUTED | Title: Panel Urges Increase In Investment Abroad | 2/10/1961 | See Source »

...panel, sponsored by the Graduate Young Republicans, also included Milton Katz '27, Henry L. Stimson Professor of Law; Raymond Vernon, professor of International Trade and Investment; Boston banker Prescott C. Crafts; and television newsman Louis Lyons as moderator...

Author: NO WRITER ATTRIBUTED | Title: Panel Urges Increase In Investment Abroad | 2/10/1961 | See Source »

From a lobster pot 116 feet deep in the waters off Jewell Island, Me. came a possible clue to the mystery disappearance of France's late Captain Charles Nungesser, who vanished somewhere over the Atlantic 34 years ago. Lodged in the pot was a fragment of an instrument panel, which may have come from Nungesser's ill-fated biplane, L'Oiseau Blanc. On May 8, 1927, the dashing Nungesser and his navigator, François Coli, took off from Paris, aiming at the $25,000 Orteig Prize, which awaited the first man to fly nonstop between Paris...

Author: /time Magazine | Title: People: Feb. 3, 1961 | 2/3/1961 | See Source »

...There's nothing here," began Jackie Gleason, "except the orchestra and myself." It was to have been the second telecast of his new CBS panel show, You're in the Picture, but the studio was stripped to the brick walls. After sipping from a coffee cup ("a new coffee: Chock-Full-o'-Booze"), Gleason squarely faced the camera and continued: "We have a creed tonight, and the creed is honesty . . . Last week we did a show that laid the biggest bomb-it would make the H-bomb look like a two-inch salute...

Author: /time Magazine | Title: Television: Inspiring Post-Mortem | 2/3/1961 | See Source »

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