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Saturday is sold out, but Friday you can still catch one of the last performances of the Lowell Opera Society's "Otello." (8:30 p.m.; Students $12, through Harvard Box Office...

Author: By Cora K. Currier | Title: If You Were Cool, Your Weekend Would Entail All This... | 3/13/2009 | See Source »

...polished performance that was both passionately and exquisitely sung. Davis was able to produce brilliance with her lower voice that was complemented by the fullness of her upper register. She also gave a most entrancing dramatic performance, especially in the opening of the fourth act. The title role of Otello was sung with gusto by the tenor Brian Landry, whose commanding stage presence and intensity of tone provided a compelling portrayal of the general. He did a marvelous job of conveying the rapidly changing emotions that Otello experiences over the course of the production, but sometimes these shifts were overly...

Author: By Diego H. Nunez, CONTRIBUTING WRITER | Title: Despite Constraints, 'Otello' is Impressive | 3/9/2009 | See Source »

...71st season, the annual Lowell House Opera (LHO) production premiered on Wednesday, March 4 with its rendition of Verdi’s “Otello.” The show is produced by an assembly of volunteers, including Harvard undergraduate and graduate students, classical musicians, experienced opera singers, and amateur opera aficionados from the Greater Boston Area and beyond. The opera promises to be an exciting experience for traditional opera lovers, fans of Shakespearean theatre, and newcomers to the world of opera alike. “Otello” will run through March 14 in the Lowell Dining Hall...

Author: By Alec E Jones, CRIMSON STAFF WRITER | Title: 'Otello' Preserves Past | 3/5/2009 | See Source »

...that glittering opening night of The First Emperor as a movie-critic. The title role is sung by Placido Domingo, who in the 80s displayed his celebrated tenor in movie versions of Cavallieri Rusticana, Pagliacci, La Traviata and Otello, all directed by Franco Zeffirelli. But I was mainly interested in the Chinese connection. I wanted to see ? hear, really ? what Tan Dun, the gifted composer who had won an Oscar for his scoring of Crouching Tiger, Hidden Dragon, would do with his epic subject. I also was eager to see the production, since it was to be staged by Zhang...

Author: /time Magazine | Title: A Chinese Movie at the Met | 1/13/2007 | See Source »

...family and career. It is always fragile, being a parent. What aria do you most like singing? The Song to the Moon, from Rusalka, is my signature piece. And what do you most like listening to? Susan Graham singing as the Composer from Ariadne and Placido singing Otello - he was the greatest Otello for 30 years. Luciano, too, was so perfect in every way. I think of him as Ella Fitzgerald, and Placido as Sarah Vaughan. Luciano - classical, crystal, timeless perfection. Placido - more baroque, a little bit twisted, crazy and sexy. For my own singing, I used to be attracted...

Author: /time Magazine | Title: 10 Questions For Renee Fleming | 11/27/2005 | See Source »

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