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Word: opera (lookup in dictionary) (lookup stats)
Dates: during 1970-1970
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Usage:

...this sounds like daytime TV soap opera, the play is perilously close to it-an unsettling kind of comic tearjerker. The various relationships are scarcely credible. It is impossible to believe that anyone as self-centered as the Von Furstenberg character could have nursed Evy through drinking bout after drinking bout, as she claims to have done. Maureen Stapleton gives a high-strung, neurotically personal performance, but we can never relate the woman onstage with the poster on the wall that says she once sang in Carnegie Hall. The Evy before us might be a suburban housewife in a severe...

Author: /time Magazine | Title: Theater: Comic Tearjerker | 12/28/1970 | See Source »

What did they all do? Traditional Christian teaching holds that God created angels partly to adore and praise him-like a duke, forming his own opera company to entertain an audience of one-but also to serve as intermediaries between the worlds of spirits and of men, between Heaven and Earth. Angels intervened, visibly or unseen, at every moment of God's enterprises, beginning with the largest of all: keeping the universe in motion. Tasks were dealt out among the various grades of angels; so vast a society obviously needed a pecking order. The structure of this heavenly bureaucracy...

Author: /time Magazine | Title: Art: The Glory of the Lord Shone Round About Them | 12/28/1970 | See Source »

Everywhere last week, or so it seemed, music was celebrating the birth of one of its mightiest titans 200 years ago on an upper floor of Bonngasse 515, Bonn. New productions of Fidelio were unveiled at Stockholm's Royal Opera and New York's Metropolitan. Bonn capped months of festivities with the Missa solemnis. In Tokyo, where Beethoven is a rapture-inducing favorite, the Ninth Symphony was done twice in one day. In Los Angeles, Zubin Mehta, the Los Angeles Philharmonic and a phalanx of friends staged a twelve-hour Beethoven marathon. And in honor...

Author: /time Magazine | Title: Music: 200-Condlepower | 12/28/1970 | See Source »

Repeating one of his Stockholm innovations, Gentele intends to sponsor experimental operas by young composers in inexpensive productions to be staged, probably, in the small but well-equipped opera auditorium next door to the Met at Juilliard. Like Conductor Pierre Boulez, who takes over the New York Philharmonic next fall, Gentele thinks that the creative units of Lincoln Center should shun rivalry for artistic integration. Though he is but the latest European to win a top arts job in the U.S., he does not think America should have an inferiority complex about the Old World. "On the contrary," he says...

Author: /time Magazine | Title: Music: New Manager for the Met | 12/21/1970 | See Source »

Despite Gentele's onstage credentials, there is some skepticism as to whether he is the right man for the job. Swedish critics have tended to prefer his directing to his administrating. In Stockholm, where the government picks up all but $800,000 of the Royal Opera's annual $6,400,000 budget, Gentele never had to bother with such problems as fund raising and the kind of bitter union bargaining that last year forced the Met to cancel half its season. If the Met has its way, the fund-raising load may be lighter in the future: last...

Author: /time Magazine | Title: Music: New Manager for the Met | 12/21/1970 | See Source »

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