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...peers.30s section, only two were actually typing, including someone with the handle BOD2DIE4, who wrote, "No one is talking to me," and someone called YORKIETHE1ST, who asked, "Is everyone asleep in here?" Then I discovered that while Chatscan scours all those chat rooms, only 100 appear onscreen at any given time because the program eliminates rooms in which fewer than three people are talking. No wonder such broad categories as entertainment were bringing up just a handful of rooms on, say, The Simpsons, X-Files and South Park...

Author: /time Magazine | Title: You Talkin' to Me? | 4/17/2000 | See Source »

...library (this being civic-institution-loving PBS) and reads--and lives out--a different story every episode. But the real stars are the words that the program's Sesame Street-esque skits, songs and cartoons cleverly bring to life, teaching kids to read along and sound out words onscreen. A Motown group, Martha Reader and the Vowelles, sings new vowel sounds; Dr. Ruth Wordheimer (played by Dr. Ruth Westheimer) helps patients deal with "long-word freak-out"; and in "Gawain's Word," a spoof on Wayne's World, jousting knights representing phonemes (sn and ooze for example) collide to make...

Author: /time Magazine | Title: Television: A Pride of Literary Lions | 4/17/2000 | See Source »

...taking care of her baby one night while she waits for her philandering husband to come home. As the story unfolds, you can hear her clock strike midnight, read meandering asides about her paranoid fears of an intruder and see the floor plan of her apartment slowly revealed onscreen. More ambitious narratives, such as Grammatron by Mark Amerika, which tackles everything from Cabala to virtual sex, come across as pretentious, thanks to lines like, "I ask of writing what I ask of desire...to move beyond death's link to false consciousness." Meanwhile, the group project Fakeshop, shown above...

Author: /time Magazine | Title: Clicking on the Canvas | 4/10/2000 | See Source »

...challenges go beyond memorizing lines. To allow multiple camera angles, the production will use 16 cameras, including several onscreen, disguised as computers and operated by cameramen in soldiers' fatigues. And as part of the program's good-for-you austerity, there will be no musical score, so emotion will have to be earned without strings or drums. There are some safeguards. The war-room set features a giant electronic map, synched to the dialogue. "We have a guy with a keyboard ready, so if an actor misses a line, he can instantly update the map," Clooney says...

Author: /time Magazine | Title: Television: Live...from the Brink | 4/10/2000 | See Source »

Call it the Aud Hep Story. Even with three hours at its disposal, this film ends halfway through the star's career and life, with the making of Breakfast at Tiffany's. No My Fair Lady or Charade; nothing of the work for UNICEF. Still, what's onscreen fascinates because of the life itself and, at bottom, because of the dead-on impersonation by Jennifer Love Hewitt. Hepburn's accent; her posture; her chin-down, eyebrows-up way with a line--Hewitt has it all, and charm to boot. Delicious...

Author: /time Magazine | Title: The Audrey Hepburn Story | 3/27/2000 | See Source »

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