Word: olga
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Dates: during 1940-1949
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Prime & Proportion. In brown-eyed, British-born Margot Fonteyn, Sadler's Wells had its coloratura. Her perfectly proportioned ballerina body (5 ft. 4 in., 112 Ibs.), her effortless grace and technique had U.S. ballet connoisseurs and critics going back for comparisons to such ballet immortals as Anna Pavlova, Olga Spessivtzeva and Tamara Karsavina, the sometime partner of the great Nijinsky. Just behind Fonteyn were two other fine dancers who could take her roles: tall, handsome Beryl Grey, 22, and flame-haired, 23-year-old Moira Shearer, dancing star of the British film The Red Shoes (which...
Four more meetings are scheduled for the Goethe festival. Miss Olga Fabian, actress and lecturer, will read some of Goethe's poems on November 3. Stephen Spender will lecture on the "Outer and Inner Worlds of Goethe" on November...
...Joseph Stalin, professional revolutionist, was exiled to Kureika, Siberia. At 35, he had given all of his adult years to underground Bolshevik work, and it seemed they had been spent in vain. To Olga Alliluyeva, his future mother-in-law, he wrote a letter thanking her for food parcels and asking only for a few picture postcards: "In this accursed country [of frozen tundras] I have been overcome by a silly longing to see some landscape, be it only on paper...
...Statesman and Nation's Sagittarius (Olga Katzin Miller) has written a dedication in verse ("Hedunit") to the hawk-nosed man in the deerstalker cap who "started a mania for singular cases, started a craving few addicts restrain, started a saga of amateur aces, whimsical, taciturn, dashing, urbane . . ." Holmes Addict Christopher Morley (see BOOKS), who helped found the Baker Street Irregulars in the U.S., contributed a satire on espionage in Washington and the atom bomb. Oldtime (80) shudder man Algernon Blackwood wrote a story of horror in a child's nursery that was reminiscent of The Turn...
...variety, e.g., a broad, majestic theme in full brass when Judith opens the door looking out upon Bluebeard's rich manorial lands; harp arpeggios when Judith comes upon door No. 6 and the pool of water signifying the vale of tears. Hungarian Bass Desire Ligeti and Soprano Olga Forrai had few standout moments; Bluebeard, with its conversational style of recitative and declamation, reminded some, of Debussy's Pelleas and Melisande. But Bartok's music, less fiercely dissonant and rhythmic, but more melodic than some of his later works, was indeed something that people would remember...