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...present, Fleiszer hopes to be given an opportunity with an NFL team either on draft day in two weeks or in the free agency period which follows...

Author: By Zachary T. Ball, CRIMSON STAFF WRITER | Title: Fleiszer Is CFL's Number One Man | 4/8/1998 | See Source »

...going to wait to sign a contract," Fleiszer said. "I've received film requests from about 20 NFL teams, and have held workouts for almost...

Author: By Zachary T. Ball, CRIMSON STAFF WRITER | Title: Fleiszer Is CFL's Number One Man | 4/8/1998 | See Source »

Regardless of how his NFL prospects pan out, Fleiszer now knows he will have at least one superb option for next fall, and will almost definitely find himself earning a living on the gridiron...

Author: By Zachary T. Ball, CRIMSON STAFF WRITER | Title: Fleiszer Is CFL's Number One Man | 4/8/1998 | See Source »

...perhaps even more impressive are the recent appearances he has made outside of the hip-hop arena. Of late, Puffy has shown great interest in the sports and entertainment world at large. He has become a licensed NFL agent, wooing last season's Heisman Trophy winner, Charles Woodson. He is also working on an upcoming movie looking at professional football management which he will star--in and perhaps even produce--alongside Al Pacino...

Author: By Carine M. Williams, | Title: The Power of Puffy | 4/8/1998 | See Source »

...label is owned by Arista Records which in turn is run by BMG Entertainment, very much a part of white corporate America. Even in scenarios where black successes and authority exist, their achievements are still limited by the institutions of white America. The fact that there are no black NFL team owners demonstrates these limits as well. In cinema, Debbie Allan had to push for ten years until she could get the backing of Steven Spielberg to produce Amistad. Moreover, Puffy's success has depended on the suburban white teenagers who have become the biggest consumers...

Author: By Carine M. Williams, | Title: The Power of Puffy | 4/8/1998 | See Source »

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