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...MS. SHEILA SIMMONS Austin, Texas

Author: /time Magazine | Title: Letters, Sep. 24, 1973 | 9/24/1973 | See Source »

...team wrestling match pitting Burt Reynolds and Norman Mailer against Gloria Steinem and Germaine Greer, it is scarcely conceivable that any other single athletic event could burlesque the issue so outrageously. A Las Vegas casino is chartering a plane to fly in show-biz folk and high rollers. Ms., the feminist magazine, plans a charter flight to make sure that Billie Jean does not lack for rooters deep in the heart of Marlboro country...

Author: /time Magazine | Title: How Bobby Runs and Talks, Talks, Talks | 9/10/1973 | See Source »

...Cambridge bridge Union Debating Society watching and baiting the two contenders: William F. Buckley and Germaine Greer. Buckley finds himself very much at home with the predominantly snotty, upper class, chauvinist audience, and scores minor points in his remarks by way of snide and generally tasteless humor. Ms. Greer appears tight-lipped and fumbling at the outset, only the kid-gloved technique for an all-out attack which represents the finese impromptu defense of a worthy, cause I have ever seen. It is to the credit of the stodgy debaters that they eventually see the light and award the clear...

Author: NO WRITER ATTRIBUTED | Title: television | 8/17/1973 | See Source »

...recording of I Am Woman, which has since become a sort of anthem for the Women's Liberation movement. The show's timid overtones of feminism, however, are not allowed to disturb its stolid, unimaginative variety-show format. Hampered by painfully writer-stricken interim patter, Ms. Reddy has neither the presence nor the experience to spark the old string-of-guests routine to life...

Author: /time Magazine | Title: Television: Viewpoints | 8/6/1973 | See Source »

...that Ms. Sontag is a thief, it's simply that she's a critic. She has seen so many films and thought so long and hard about them, that her own look like a composite of all those things she's praised in others. Duet for Cannibals was made out of Bresson and Bergman and Godard in equal measures, one ingredient at a time. It substituted confusion for narrative and vagueness for thought. It was the type of film that gave the avant garde a bad name...

Author: By H. MICHAEL Levenson, | Title: The Avant-Garde and The Avant-Guardian | 7/27/1973 | See Source »

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