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...dozens during the so-called "lull," which has cost the U.S. 200 to 250 casualties a week. The Eighth Army's Communique No. 938 reported it this way: "A U.N. patrol operating west of Chorwon engaged three enemy platoons at 2215 (10:15 p.m.), directed artillery and mortar fire on the enemy, and was ordered to disengage at 2257. Estimated enemy casualties in the action were 25 killed and 25 wounded...

Author: /time Magazine | Title: International: How It Was | 5/5/1952 | See Source »

...Exercise Long Horn, the vast Army-Air Force mock war in Texas, the green-clad Aggressor forces had just seized a position deep behind the defenders' lines and were massing for a new attack. Suddenly a blank mortar shell exploded over the invaders' heads with a roar and a burst of smoke. The umpires stunned the Aggressors with a terse ruling: 1,600 of their men had just been put out of action; the exploding shell symbolized a devastating hit by a revolutionary new weapon, atomic artillery...

Author: /time Magazine | Title: ARMED FORCES: The Atomic Pinpoint | 4/14/1952 | See Source »

...cream of U.S. military manpower-burrowed dismally into the Korean snow and mud, to wait for they knew not what. On the other side, 900,000 of the enemy did the same. Occasionally, on either side, a man died-a bullet in the brain, a mutilating date with a mortar shell, a ride to earth in a jetpropelled funeral pyre. But the dying settled nothing...

Author: /time Magazine | Title: WAR IN KOREA: Purgatory | 3/17/1952 | See Source »

...year-old war. To the west of Hoa Binh, Viet Minh hacked out new roads in the jungle. A human chain of 50,000 Chinese moved 4,000 tons of war material south to the Communist forces. Included, according to French reports: 10 million Chinese-made cartridges, 100,000 mortar shells, 100,000 hand grenades. Russian-built trucks hauled in heavy cannon; Chinese "military advisers" stiffened Viet Minh's 45,000 regulars...

Author: /time Magazine | Title: INDO-CHINA: Defeat for the West | 3/3/1952 | See Source »

Today he "paints" with thick pastes, viscous mixtures of zinc oxide and heavy varnish. Sometimes he adds sand to make a kind of mortar, applies it with large, dull putty knives. The soft colors he uses -rose, brown, dull reds and yellow-spread erratically as his "empasto" heaves into unexpected shapes and dries...

Author: /time Magazine | Title: Art: Landscapes of the Mind | 3/3/1952 | See Source »

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