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Word: moods (lookup in dictionary) (lookup stats)
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...Master of Mood The Marc Jacobs show is about more than clothes. The designer reminds us that we shouldn't take fashion too seriously- 9/12/06

Author: /time Magazine | Title: Creating the Mirage | 9/19/2006 | See Source »

...terms of craft, Studio 60 is very good. Sorkin is probably incapable of writing a bad show. But self-satisfied, self-serious and self-congratulatory--that he can do. From the mood lighting and stirring music to the hot-button story lines to the characters' arias on the august legacy of their show, Sorkin makes running a comedy program seem like negotiating an arms treaty. Is your beef with sketch shows that they used to be daring social critiques--("Chizzburger! Chizzburger!")--or that they used to make you laugh? Worse, Studio 60 fails to show us that Matt and Danny...

Author: /time Magazine | Title: Do Not Adjust Your Set | 9/18/2006 | See Source »

...MONDAYS, 9 P.M. E.T.; PREMIERES SEPT. 25 Forget bird flu; in this thriller, there's a pandemic of superpowers. A cheerleader who can't be injured, a drug addict whose visions come true and many others discover their abilities in separate stories that promise to converge. The eerie mood of mystery recalls Lost, as does the big cast of characters (so many that the extra-long pilot does not introduce all of them). The writing is uneven--a plot about a Japanese geek who can teleport is engaging; others are flat or clichéd--but the idea is audacious enough...

Author: /time Magazine | Title: 5 New Fall Dramas To Put On Your Schedule | 9/17/2006 | See Source »

...Master of Mood The Marc Jacobs show is about more than clothes. The designer reminds us that we shouldn't take fashion too seriously- 9/12/06

Author: /time Magazine | Title: Signature Looks | 9/15/2006 | See Source »

...would be inclined to laugh, if one were not so numbed. This movie, which was written by Josh Friedman, is less a response to a novel than it is a synopsis of it-ploddingly plotted, enlivened by the occasional shock occurrence, lacking that attention to mood and nuance which made Curtis Hanson's version of another Ellroy novel, L.A. Confidential, such a rich, rewarding entertainment a few years ago. You begin to wonder: maybe it's time to give film noir a rest. The academics have had their fun with it; no genre has attracted more scholarly attention in recent...

Author: /time Magazine | Title: Review: The Black Dahlia | 9/15/2006 | See Source »

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