Word: monteleoni
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Dates: during 1990-1999
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...comedy does not escape this production. As the precociously naive and fashion-impaired George Aaronow, Juri Henley-Cohn ('00) delicately handles and balances a role which, had it been exaggerated, might have destroyed the naturalism of the piece. As Shelley Levene, an aging seller desperate for a comeback, Paul Monteleoni ('00) continually provides the play with energy and freshness. If ever this humorous vitality turns unwieldy, Monteleoni always manages to rein himself back in with a sudden change of tone or an expression that reestablishes realism in the scene. Although saddled with one of the play's less developed characters...
...important to show that activism is not stuffy and academic," Monteleoni said. "It's real and can be invigorating...
...love to tell you all about the factories that make [Harvard] clothes, but Harvard doesn't think it's important enough to ask [manufacturers] about," Monteleoni said...
...Like most clothing manufacturers, Nike and the Gap produce their clothing in so-called sweatshops, where workers--mostly young and female--are subject to horrendous conditions, starvation wages and harsh repercussions if they try to improve their situation," Monteleoni said...
...Nike wear was originally produced in the United States, but CEO Phil Knight, who is paid $300 million a year, decided labor costs were too high and moved Nike production to China," Monteleoni said. "When it comes to running away from corporate responsibility, Nike says, 'Just...