Word: molto
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Dates: during 1940-1949
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...that was going to be fun. Most of the instruments got their chance to shine. Boomed the narrator, Nelson Olmsted: "First I invented the flute [deep blue solo]. Next, the oboe [etc.] . . . But that wasn't all I needed. I had to have -Sharps and flats and pizzicato, Molto Lento and staccato, Treble clef, ritard, repeat, Allegro, chord, and boogie-beat, Major, minor, jig, and waltz, Scherzo, downbeat, jazz, and smaltz, Jukebox, drumstick, and Puccini, Bassoons, batons and Toscanini...
...only in secluded synagogues, Steinberg took its best musicians to Palestine, where he and Polish Violinist Bronislaw Hubermann formed the Palestine Symphony Orchestra. Hubermann invited Arturo Toscanini to conduct the first public concert in Tel Aviv. Toscanini listened to a few well-rehearsed bars, nodded his approval and mumbled: "Molto bene [very good...
...Wynn's new revue begins August 30. Sanders Theatre Concerts Boston Symphony Orchestra Second Programme, July 25 Under the direction of Bernard Zighera Toccata, Bouree, and GigaScarlatti-Casella Symphony No. 5 in B-flat major Shubert I. Allegro II. Andante con moto III. Menuetto: Allegro molto: Trio IV. Allegro vivace Pavane pour une Infante defunte Ravel Capriccio Ibert Suite No. 1 from "Pulcinella," Ballet (after Pergolesi) Stravinsky I. Sinfonia (Overture): Allegro moderate II. Serenata: Larghetto III. a. Scherzino b. Allegro c. Andantino IV. Tarantella V. Toccatta VI. Gavotta con due variazionl VII. Duetto VIII. a. Menuetto b. Finale Third Programme...
...Boston symphony orchestra. Described by its perpetrator as "having certain earmarks of the sonata form without being written in that form at all," his Concerto for violin and orchestra was a meaningless mass of dissonances which effectively disguised the technical ability of the soloist, Miss Ruth Posselt. The allegro molto seemed to lack any structural form and wandered aimlessly through a series of cacophonous variations on the first subject. The second movement, valse, combined an absurdly technical display by the soloist with a weak background on the strings. Several abrupt pauses in the final movement punctuated the variations...