Word: mirror
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Dates: during 2000-2000
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Within 24 hours, the U.S. Supreme Court weighed in with a bitterly divided blockbuster of its own: a 5-4 order directing the Florida canvassing boards to halt the recounts. Once again, the reaction was divided and partisan, but flipped in a fun-house mirror. This time, it was the Bush camp's James Baker saying it was "very, very gratifying" that the U.S. Supreme Court had "indicated a willingness and an interest in hearing this very, very important case." And it was the Gore campaign charging that a court was trying to hijack the will of the people...
...look back...well, why look back? The technological revolution has no rearview mirror. We have not only seen the future, we've moved into it. Yesterday is history. Familiar forms will disappear. Who needs fiction when we have Survivor and the Florida Supreme Court? And new formats will change what designer Bruce Mau calls "the global image economy." Soon the multiplexes will go digital; "films" will no longer exist. We're already consuming e-books, e-movies, e-music. Egad...
After repeated listenings, however, it becomes apparent that while an undeniably solid album, Holy Wood is far too reminiscent of Antichrist Superstar. This is especially obvious in the syncopated, headbanger beat of current single "Disposable Teens," a near mirror-image of "The Beautiful People." Rather than reinvent his band a third time, Manson has instead chosen to tweak and polish that former album's brand of Gothic-flavored industrial riffage. Holy Wood's ultimate downfall is its refusal to take risks; as such, it's an anticlimactic conclusion to an interesting cycle. B- -Ryan...
...exhibition's auto-eroticism sector does, however, include one triumphal fetish--Larry Fuente's Derby Racer, 1975. Like some pious Latino decorating a shrine, Fuente glorified a convertible jalopy with an undulating crust of shards, beads, mirror fragments and pearly gewgaws. It is still a convincing, near folk object--an automotive equivalent, perhaps, to Simon Rodia's towers in the Watts neighborhood of downtown Los Angeles...
...look back... well, why look back? The technological revolution has no rearview mirror. We have not only seen the future, we've moved into it. Yesterday is history. Familiar forms will disappear. Who needs fiction when we have "Survivor" and the Florida Supreme Court? And new formats will change what designer Bruce Mau calls "the global image economy." Soon the multiplexes will go digital; "films" will no longer exist. We're already consuming e-books, e-movies, e-music. Egad...