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Word: minority (lookup in dictionary) (lookup stats)
Dates: during 1900-1909
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Usage:

...progress of construction for a building of this size has been remarkable. It is expected that the ice surface will be ready for use by January 15, although some of the minor details will not be completed until a fortnight later...

Author: NO WRITER ATTRIBUTED | Title: Fast Progress on Boston Arena | 12/17/1909 | See Source »

BOSTON SYMPHONY ORCHESTRA CONCERT. Soloist: Mme. Olga Samaroff. Sanders Theatre, 8 P. M. Program: Bantock, Comedy Overture, "Pierrot of the Minute." Schumann, Symphony in C major, No. 2. Rubinstein, Concerto for Pianoforte and Orchestra in D minor, No. 4. Tschaikowsky, Suite for full Orchestra taken from the scene of the Ballet, "Nut Cracker...

Author: NO WRITER ATTRIBUTED | Title: University Calendar | 12/16/1909 | See Source »

...program of this evening's concert is as follows: Bantock, Comedy Overture, "Pierrot of the Minute"; Schumann, Symphony in C major, No. 2; Rubinstein, Concerto for Pianoforte and Orchestra in D minor, No. 4; Tschaikowsky, Suite for full Orchestra taken from the Scene of the Ballet, "Nut Cracker," op. 71, A. The soloist will be Mme Olga Samaroff...

Author: NO WRITER ATTRIBUTED | Title: Third Symphony Concert Tonight | 12/16/1909 | See Source »

BOSTON SYMPHONY ORCHESTRA CONCERT. Soloist: Mme. Olga Samaroff. Sanders Theatre, 8 P. M. Program: Bantock, Comedy Overture. "Pierrot of the Minute." Schumann, Symphony in C major, No. 2. Rubinstein. Concerto for Pianoforte and Orchestra in D minor, No. 4. Tschaikowsky, Suite for full Orchestra taken from the Scene of the Ballet, "Nut Cracker...

Author: NO WRITER ATTRIBUTED | Title: University Calendar | 12/13/1909 | See Source »

...dialogue more frequently crossed the footlights. The gradual rise in tone, the gaining of the serious upon the comic element, which is one of the most marked features of the play, became distinctly perceptible. This improvement was sustained through the third act. Here a number of minor characters make their appearance, and the scene of the reception for Lord Ravensbane, falling, as it did, within the range of what may fairly be expected of amateur talent, was carried through with vivacity. Meantime the performance of the hero was constantly gaining in firmness and assurance, and Dickon was more and more...

Author: NO WRITER ATTRIBUTED | Title: REVIEW OF "THE SCARECROW" | 12/8/1909 | See Source »

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