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Word: mime (lookup in dictionary) (lookup stats)
Dates: during 1960-1960
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Usage:

...Manhattan's City Center, Marcel Marceau was for half the evening the superb solo mime he had proved before; in the second half, introducing his famous Compagnie de Mime, he performed movingly in a "mimodrama" of Gogol's The Overcoat. This igth century tale of an out-at-elbows clerk who for years toils obsessively to own a fine overcoat only, after an intoxicated moment of triumph, to be robbed of it, is one of literature's most surcharged parables, often with meanings beyond words. And without words Marceau at times approached those meanings as-against...

Author: /time Magazine | Title: The Theater: Old Favorites in Manhattan | 9/19/1960 | See Source »

...mime. Marceau is almost as remark able for range as for dexterity; even in a slightly too long evening, there is little sense of repetition. There is great range of emotional and comic effects; of human activity, as with a man engaging in all the attractions of a fair; and of human types, as in catching the whole varied life of a public garden. As a park-bench gossip or seasick voyager, Marceau is hilarious; as high-wire performer, he can be both hilarious and terrifying; as a mask maker pulling masks on and off with lightning speed and ending...

Author: /time Magazine | Title: The Theater: Old Favorites in Manhattan | 9/19/1960 | See Source »

Despite such simplicity of design, stage movements throughout most of The Ring were so statuesque that they suggested oratorio rather than opera. Realism was often ludicrously mixed with abstraction; when Mime helped to fashion a sword for Siegfried out of a magic potion, he matter-of-factly cracked two eggs into the potion as if following a recipe by Gayelord Hauser. Worst of all was the lighting, which was so murky that it came close to achieving Richard Wagner's stated ideal: "Now that I have created the in visible orchestra,* I would like to invent the invisible stage...

Author: /time Magazine | Title: Music: Valhaila & Mozart's Tomb | 8/8/1960 | See Source »

Washington-which saw the son of a U.S. Supreme Court Justice doing a mime act in a place called No Place; see PEOPLE...

Author: /time Magazine | Title: A Letter From The Publisher, Jul. 18, 1960 | 7/18/1960 | See Source »

Holding forth as a $10-a-performance pantomimist in a Seattle jazz joint called No Place: William O. Douglas Jr., 28, son of the Supreme Court Justice. Patterning his antics after France's celebrated Mime Marcel Marceau, young Bill was better than boring, less than soaring. His best act was titled "The Five Thousand Pound Lift," in which he applied a superhuman clean-and-jerk to a gigantic invisible object...

Author: /time Magazine | Title: People, Jul. 18, 1960 | 7/18/1960 | See Source »

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