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...spite of the fact that a deadlock was prevented only by Mickey Walker's illegal kick, which gave Harvard the ball in scoring territory, the Crimson showed for the first time that it could do something when the goal-line was in sight. In the plays, both by men playing in new holes, Danny Wells and Chet Litman, the ball was carried from the 14-yard line for a score. Credit for the victory must go to the New Deal in the football team, which put in a new left side of the line and completely jumbled up the backfield...

Author: By O. F. Ingram, | Title: ELEVEN SNAPS OUT OF DAZE TO DEFEAT BRUIN TEAM, 12-6 | 11/20/1933 | See Source »

...Maxie ("Slapsie") Rosenbloom, light-heavyweight champion: a 15-round fight with bull-doggy little Mickey Walker, in which Champion Rosenbloom flicked, slapped, chopped, cuffed, hit not one hard, straight blow; in Manhattan...

Author: /time Magazine | Title: Sport: Who Won, Nov. 13, 1933 | 11/13/1933 | See Source »

...Miss Miller been seen on the stage. She rewards her many admirers for her absence with some brilliant ballroom dancing, a cunning burlesque of Lynn Fontanne, a sprightly tap dance in which, surrounded by funnypaper characters, she takes Skippy to her bosom, departs hand in hand with Mickey Mouse. At one point Miss Broderick tunefully predicts: "Uncle Sam will be in Heaven when the dollar goes to Hell.'' Even then As Thousands Cheer should still be making money...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 9, 1933 | 10/9/1933 | See Source »

...Louis Blues plays that fine lament in the sole nonspecial arrangement. There are more, all delightful: unfortunately, there is also an impresario, who delivers a long and mandlin curtain lecture and is generally intolerable. Mr. Sevitsky plays Gilbert and Sullivan with spirit, there is a Popeye, but no Mickey Meuse...

Author: By R. G. O., | Title: CRIMSON PLAYGOER | 10/7/1933 | See Source »

...contract Irving Berlin and Walt Disney (whose income already amounts to $400,000 a year) will share the profits. But Disney will give half his share to his staff composer and conductor, Frank Churchill, a tall shy Rumford, Me., native who is responsible for all the tunes that Mickey Mouse and the Disney animals jig to. Disney gives him a story in terms of line drawings and film frames. Churchill works out a score which must have a definite number of beats for each of the frames so that the sound-track will synchronize perfectly with the movies, which...

Author: /time Magazine | Title: Music: Piglets' Tune | 9/25/1933 | See Source »

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