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Billy the Kid (Metro-Goldwyn-Mayer). Undoubtedly the new vogue of westerns has been stimulated by critics who arraigned the cinema for losing its integrity in dull photographs of stage plays. Now King Wallis Vidor, Metro-Goldwyn-Mayer's ace director, with the help of the company's best dialog writers, Laurence Stallings and Charles MacArthur, has deliberately turned back to the old westerns as models in an attempt to reproduce the virtues that have reappeared only occasionally in pictures since the western became outmoded-speed, action, outdoor settings, and the suspense of the greatest and simplest...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 3, 1930 | 11/3/1930 | See Source »

...Nurse (Metro-Goldwyn-Mayer). This picture fails in many ways to do justice to its theme-the woman's side of the War-yet it is a courageous and fairly honest effort. The picture of mental and physical conditions at the great French base-hospitals is restrained in comparison with the descriptions of such conditions that have been current, verbally and in writing, since the Armistice. Nevertheless, audiences who saw the first showings of War Nurse last week frequently laughed at the wrong times. Audiences can absorb visible violence only up to a definite saturation point, after which they...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 3, 1930 | 11/3/1930 | See Source »

...actress. Her father had done some lighting work for a studio in Astoria and knew somebody who promised to do what he could for Anita. Her first screen name was Anita Rivers. After the company she signed with had disbanded in California she took a screen test for Metro-Goldwyn-Mayer which was successful. The company thought Anita Page sounded better. Now her father, mother and little brother live with her. She goes to bed early...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 3, 1930 | 11/3/1930 | See Source »

...Hearst bought several years ago. Soon he would be off again to his 30,000-acre suzerainty in California, trailing across the continent clouds of a glory peculiarly dear to a newspaper man. After dinner he gave his guests a taste of that glory?showed them a Hearst-Metro-tone newsreel of himself as he had appeared debarking from Europe in Manhattan the fortnight before, grinning broadly, waving his hat, clutching the Stars & Stripes...

Author: /time Magazine | Title: The Press: Heyday | 10/20/1930 | See Source »

Madam Satan (Metro-Goldwyn-Mayer). This is the most interesting picture of the week because it revives a tradition that was once very important to the business...

Author: /time Magazine | Title: Cinema: The New Pictures Oct. 20, 1930 | 10/20/1930 | See Source »

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