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Laughing Sinners (Metro-Goldwyn-Mayer) is the title given to a cinemas-culated version of Torch Song, the play by Kenyon Nicholson which was the first outstanding success of the past Manhattan season. In Torch Song Author Nicholson played about with a case of mistaken identity between sex and religion. He showed his heroine joining the Salvation Army when deserted by a traveling salesman, later having a reunion with her lover when she tried to convert him. This aspect of the story has been overlooked in the cinema, which tells a plain and not particularly stirring case-history...
Pelham Grenville Wodehouse, famed English humorist, looked back over his year's connection with Metro-Goldwyn-Mayer film company, commented: "They paid me $2,000 a week?$104,000?and I cannot see what they engaged me for. . . . Twice during the year they brought completed scenarios of other people's stories to me and asked me to do some dialog. Fifteen or sixteen people had tinkered with those stories. The dialog was quite adequate. All I did was touch it up here and there. . . . They were extremely nice to me, but I feel as if I have cheated them...
...might get back on my feet again. . . . It's like leaving home to leave the studio after all these years, but I know it is the best thing for me to do." She declared that after resting, she would become a free lance again, mentioned screen offers from Metro-Goldwyn-Mayer and Howard Hughes, a bid from the Shuberts in Manhattan, bandied words regarding a 20-week stage tour at $20,000 a week. Also, the "It Girl" announced with a straight face: "I am going to write the story of my life-everything that's happened since...
...Free Soul (Metro-Goldwyn-Mayer). There is nothing on the stage or screen more impressive than a Barrymore indicating degenerate addiction to alcohol-a condition which causes the eyes to pop out and the nostrils to grow, though almost imperceptibly, wider. In this picture, it is Lionel's adroitness at such tricks which enables you to believe in incidents, which, however convincingly they be arranged, are basically somewhat ridiculous. He impersonates Stephen Ashe, a brilliant and bibulous lawyer whose daughter is so much influenced by his eccentric conduct that she sees nothing wrong in having an affair with...
Shipmates (Metro-Goldwyn-Mayer). Robert Montgomery made a name for himself in minor-part impersonations of the jeunesse doree. He had an ability possessed by few other young cinemactors to give the impression, without wearing a heavy sweater or a key on his watch-chain, of having gone to college. Nevertheless, Metro-Goldwyn-Mayer decided that his first star role should be that of a sailor, apparently an orphan, in an unlikely story which serves no purpose beyond the unnecessary one of advertising the U. S. Navy. In the improbable and not very amusing incidents which lead to Montgomery...