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...Selznick became a thriving agent whose firm now handles more actors, writers and directors than any other in Hollywood. His younger brother David Oliver Selznick worked up to be Producer Ben Schulberg's assistant at Paramount, left Paramount to be production chief at RKO, married a daughter of Metro-Goldwyn-Mayer's Louis B. Mayer, left RKO in 1932 to become an independent producer at MGM. In the last year, David Selznick has been itching to leave M-G-M to form a company of his own. Last month, when Twentieth Century Pictures quit United Artists to merge...

Author: /time Magazine | Title: Cinema: Selznick Presents | 7/1/1935 | See Source »

Belcher Sirs: TIME publishes the most trustworthy of movie guides, but why don't you do about Metro-Goldwyn-Mayer's belching lion? W. D. HUMPHREY Sherbrooke, Quebec

Author: /time Magazine | Title: Letters, Jun. 24, 1935 | 6/24/1935 | See Source »

...More Ladies (Metro-Goldwyn-Mayer) shows Joan Crawford, Robert Montgomery and Franchot Tone, a variety of white chromium modernistic interiors, a welter of cynical badinage over cocktails and cigarets, the complications of rich idle adultery. It is a pleasant, witty time-waster...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 24, 1935 | 6/24/1935 | See Source »

Public Hero No. 1 (Metro-Goldwyn-Mayer). There is not much variation possible in the formula demanded by the current cycle of G-Men pictures. In this one, Scenarist Wells Root did about all he could by making the heroine (Jean Arthur) the sister of a crook rather than of a Federal detective, and by letting the audience mistake the G-Man hero for a criminal until his visit to his superior reveals that the jail break he engineered was really a trick to gain the confidence of the leader (Joseph Calleia) of the Purple Gang, who escaped...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 17, 1935 | 6/17/1935 | See Source »

...Flame Within (Metro-Goldwyn-Mayer). For attention from the current cinema, Department of Justice agents' only rivals on the distaff side are female psychiatrists. Like Dr. Everest (Claudette Colbert) in Private Worlds, Mary White (Ann Harding) in this picture is baffled when her own life presents the sort of symptoms she is accustomed to deal with in her patients. Having healed the suicide fits of an heiress (Maureen O'Sullivan) by treating her sweetheart (Louis Hayward) for advanced dipsomania, she finds her maternal instincts for the latter in a state of overstimulation. Her confrère (Herbert Marshall...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 10, 1935 | 6/10/1935 | See Source »

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