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Riffraff (Metro-Goldwyn-Mayer) is what Hollywood calls a box-office picture, meaning one whose merits, if any, will be revealed at the ticket slot rather than in the comments it will occasion. What will make it box-office is that it evokes, out of the half-forgotten time when pictures could be naughty, the original Jean Harlow...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 20, 1936 | 1/20/1936 | See Source »

Captain Blood (Warner) seems to be Warner's answer to Metro-Goldwyn-Mayer's Mutiny on the Bounty. Whatever the literary merits of Rafael Sabatini's florid novels, they make excellent cinema fare when served with the crispness and gusto of Captain Blood...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 30, 1935 | 12/30/1935 | See Source »

...Little Lady." With Coquette in 1929, Miss Hayes reached Los Angeles in her 88th week. Her agent took her out to see the Metro-Goldwyn-Mayer casting director. The director took one look at the slight little woman with the tipped-up nose and unflattering yellow hair, turned to her agent to ask: "What does the little lady do? What sort of parts does she play? Mmmmm. Well, leave the little lady's name and address and if anything comes up that she might fit into I'll give her a ring." He never...

Author: /time Magazine | Title: The Theatre: Helen Millennial | 12/30/1935 | See Source »

...Whipsaw (Metro-Goldwyn-Mayer) embodies the ultimate variations in what can be done with a G-man (Spencer Tracy) keeping tabs on a girl (Myrna Loy) with whom he falls in love. She has the Koronoff pearls in the handle of the mirror of her dressing-case set, but does not know it. They have been planted there by one of two gangs of thieves competing for them. Including scenes in London, New York, Pittsburgh, St. Louis and New Orleans the double-headed chase goes rollicking along in steamboats, planes and hired automobiles...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 23, 1935 | 12/23/1935 | See Source »

...Wilderness! (Metro-Goldwyn- Mayer). The growing pains of a young generation, tossing uneasily on its antimacassars somewhere in New England, have been expertly woven into this adaptation of Eugene O'Neill's play about an adolescent taking his first look at the grown-up world of 1906. Ah Wilderness! is notable also for one of those curiosities of billing that cinema contracts sometimes bring about. Wallace Beery, billed as the star, plays what amounts to an expanded bit-part. He is Uncle Sid, affable and alcoholic parasite who sponges a living in the family of Nat Miller, smalltown...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 9, 1935 | 12/9/1935 | See Source »

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