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Word: metaphors (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Blows (French). The story of a small boy's flight from the soiled, loveless world of his parents adds up to a moving metaphor for all humanity trapped in the relentless round of daily life...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: Time Listings, Dec. 28, 1959 | 12/28/1959 | See Source »

...Blows (French). The story of a small boy's flight from the soiled, loveless world of his parents is a moving metaphor for all humanity trapped in the relentless round of daily life...

Author: /time Magazine | Title: CINEMA: Time Listings, Dec. 21, 1959 | 12/21/1959 | See Source »

...child in the centrifuge stands for modern man in the society he has made. This is the metaphor at the core of this cruel, powerful picture from France, in which the New Wave of cinematic creation matches the high-water mark established by Black Orpheus (TIME, Nov. 16). Like that film, The 400 Blows (Les Quatre Cents Coups) is the work of an unknown: a 27-year-old cinema critic named Francois Truffaut, who made the film for only $110,000. Last May the picture won him the Cannes Film Festival's award for the year's best...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 14, 1959 | 12/14/1959 | See Source »

...Mark J. Mirsky, David Landan, and Thomas Weisbuch, all Harvard undergraduates. Mirsky's poems are mostly short, tight sketches, upon banal subjects, revealing a certain sensitivity, but constantly becoming fouled in their own language. There are technical errors in many of these poems, inaccuracies of expression, inconsistencies in metaphor (even louts, when angry, do not grin, etc.) and a rough, amateurish quality in word choice. There is, however, a certain crude gentleness in these poems which may well develop into some thing not displeasing, if the writer becomes more facile in his language...

Author: By Peter E. Quint, | Title: Identity | 10/15/1959 | See Source »

Plato's famed metaphor of the cave (in The Republic) makes a cruel point: men see shadow and think they see substance. The image is brutal-cave dwellers chained underground from childhood, unable to see anything except fire shapes on a rock wall, never suspecting the existence of the objects that cast the shadows. When one of them is dragged into the open air and forced to stare first at the objects themselves, then at the agonizing reality of the sun, he fights to disbelieve his senses. So, when their hidden natures are thrust into the light...

Author: /time Magazine | Title: Books: Shadow & Substance | 8/24/1959 | See Source »

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