Search Details

Word: mel (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Director Mel Gibson’s The Passion of the Christ represents the teachings of Jesus through a gore-drenched recreation of the final twelve hours before his death. Here, the son of God is a wholly human figure, and Gibson constantly reminds his audience of this with an unceasing depiction of shredded flesh and spattered blood. The effect is alternately piercing and numbing. Nevertheless, Gibson eventually succeeds in overwhelming his audience with the kind of potent visual poignancy unseen in his previous directorial work. The telling of the story is equally effective, as screenwriters Gibson and Benedict Fitzgerald (Wise...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

There are three fatal flaws that damage Mel Gibson’s The Passion of the Christ for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers. In Gibson’s mania to present the extent of Jesus’ suffering, character is lost, and by the end of the film, Jesus begins to resemble a piñata more than a man. The effect is that it is hard to understand quite what the point of all this is. It is never clear...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

...this happened, of course, the same week that Mel Gibson’s The Passion of the Christ was sweeping its way towards a 10-day, $200 million gross at the U.S. box office...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: ‘Passion’ in Context | 3/12/2004 | See Source »

...standard news coverage of Ashura. Not one bloody detail escapes the attention of Gibson, who, like the BBC, seems to love nothing more than shredded flesh and the sight of fresh blood streaming down the forehead of a young Middle Eastern man. Based on The Gospel of Mel, Jesus’ torture seems to have been far more important than his actual teachings or moral legacy, two subjects which are hardly treated...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: ‘Passion’ in Context | 3/12/2004 | See Source »

...People don’t believe in heroes anymore,” Roger Ward whispers to Mel Gibson in the climactic scene of the 1979 shoot-’em-up epic Mad Max. Strangely enough, twenty-five years later, the king of blockbusters is still making R-rated epics about the bloody trials of troubled heroes. But now, Gibson has traded the race car for the cross...

Author: By Annie M. Lowrey, CONTRIBUTING WRITER | Title: Passion with a Prof | 3/11/2004 | See Source »

First | Previous | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | Next | Last