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Shostakovich did not seek to achieve much more in the "jazz" medium, even after chinks in the Iron Curtain let the real music flow in. These pieces reflect, more than anything, the excitement of a young composer experimenting with something beguiling, mysterious and rather unknown to himself...

Author: By Daniel Altman, | Title: Shostakovich's Jazz Stands in a Genre of Its Own | 8/19/1994 | See Source »

...action is hardly confined to corporate behemoths. Merger mania has been raging just as strongly among smaller firms such as management consultants, environmental engineers and even funeral homes. The dealmaking is particularly feverish among medium-size makers of components like auto parts. "Throughout all of U.S. industry, and particularly in the automotive sector, the trend is clearly toward reducing the number of suppliers you want to do business with," says Robert Eaton, Chrysler's chairman and CEO. So suppliers are rushing to team up with one another and thus increase their chances of remaining in business...

Author: /time Magazine | Title: Come Together, Right Now | 8/15/1994 | See Source »

...with FBI counterintelligence agents in Manhattan, who dubbed him Top Hat and marveled at their good fortune. "He was a big catch, and went on for a very long time," says James Nolan, formerly the FBI's top Soviet counterintelligence specialist. "There aren't many who start out as medium-grade officers and rise to the rank of general...

Author: /time Magazine | Title: Death of The Perfect Spy | 8/8/1994 | See Source »

After uninspiring sales of Steel Wheels" and an abortive nod at the symphonic medium, the Rolling Stones tried to revive the old rhythms for their latest album, "Voodoo Lounge." The album's release just preceded the Stones' tour of the same name, launched last week at Robert F. Kennedy Stadium in Washington...

Author: By Daniel Altman, | Title: DO THE VOODOO YOU USED TO DO | 8/5/1994 | See Source »

Caruso and McCormack also benefited enormously from the nascent recording industry, which Caruso in particular legitimized as an artistic medium. His 1904 contract with the Victor Talking Machine Co. called for a royalty of 50 cents a record along with a hefty royalty advance. When asked by a friend how much he earned from recordings, Caruso told the man to guess. Ten thousand dollars was the estimate. "Right," said Caruso, "only I make that monthly...

Author: /time Magazine | Title: SHOW BUSINESS: When Tenors Were Gods , | 7/18/1994 | See Source »

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