Word: matrix
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...Moylan says. “There is a lot of value in these films—not only do they show us our past but they also show where today’s films come from, where the cinematic references in Donnie Darko, Fight Club or The Matrix originated...
Tuesday night, students took a break from the rigors of shopping period to shake their thangs for a good cause. The 2003 Harvard Dance Marathon was held at The Matrix club in Boston, raising over $9,000 to benefit the Elisabeth Glaser Pedriatric AIDS Foundation. The Har’d CORPS event was organized by Lauren E. Bonner ’04 with former MTV personality Eric Nies hosting the fundraiser, along with Alexis C. Madrigal ’04. While Madrigal schmoozed the room, Nies MC-ed various dance contests, even participating in a limbo match...
...trekked to The Matrix psyched to see Eric bust a move in person and secretly hopeful that I’d have the chance to do the Grind routine I’d dutifully learned at 13 alongside the very man whose video I rewound countless times. Once there, I be-bopped with my fellow marathoners while my eyes remained fixed on the door, awaiting Eric’s arrival. Would he be clad in Adidas pants? Shirt or no shirt? Bandana on head? As it turns out, Eric waltzed into The Matrix in a red hooded sweatshirt and baggy...
COSTUME DRAMAS There couldn't be two more different movies than the spring releases Matrix Reloaded and Down with Love. Or could there? Matrix achieves its cool look partly with its retro-futuristic clothes. Is Keanu Reeves' Neo from the future or from some severe, high-collared Edwardian past? In Love, Renee Zellweger's chic period ensembles look so very fresh. "The early '60s is the last time clothes were modern," says Love's costume designer, Daniel Orlandi. "Colorful, simple and architectural." So what will the future look like? Apparently, it depends on which past you like best...
...look for levity in The Passion, an account of the day Jesus was crucified starring James Caviezel (The Count of Monte Cristo) as Christ and Italian sex diva Monica Bellucci (soon to be seen in Matrix 2 and 3) as Mary Magdalene. Gibson is life-after-deathly serious about the project, which his production company is financing on an estimated budget of $25 million. (He doesn't yet have a distributor.) "This has been germinating inside me for 10 years," he says. "I have a deep need to tell this story. It's part of your upbringing...