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Word: massenet (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

GLYNDEBOURNE FESTIVAL (through Aug. 3) presents four operas amid the ambiance of a lush, 125-acre Sussex estate. Mozart's Cosi fan tutte and Don Giovanni alternate with Massenet's Werther and Debussy's Pelléas et Melisande...

Author: /time Magazine | Title: Time Listings: Jul. 25, 1969 | 7/25/1969 | See Source »

...PORTRAIT OF MANON (RCA Victor). Soprano Anna Moffo is ideally gifted to sing Manon-both Puccini's and Massenet's. In this two-LP collection of scenes from both operas, she enhances Puccini by shading and softening the music where it is too bold, then enriches Massenet with a vivid, vibrant performance of his pastel score...

Author: /time Magazine | Title: Television: Apr. 3, 1964 | 4/3/1964 | See Source »

Manon was another matter. Designer Ita Maximowna's sets are airy and unpretentious-a close match with Massenet's dulcet music and the story of his heroine's capricious pursuit of an early death. In Manon's virgin youth, the stage is warmed by springtime; in her Parisian tryst, the shabbiness of the curtains and walls is almost a state of mind; when she dies, her lover's desolation is framed in a lane of twisted tree stumps. Anna Moffo and Nicolai Gedda as Manon and the Chevalier Des Grieux seemed nervous with the French...

Author: /time Magazine | Title: Opera: The Schippers Festival | 10/25/1963 | See Source »

...mixed colorless Italian and Spanish songs with minor arias by Cilea, Caccini, Massenet, Lalo, Puccini, and Bellini, and since the Puccini was "E Lucevan le Stelle," which is barely music, Bellini was left as the tallest of the pygmies. An usher told me that Tagliavini has been singing these bleak, unimaginative programs for years...

Author: By Gregory Sandow, | Title: Ferruccio Tagliavini | 4/26/1963 | See Source »

...Rome by tossing off a composition (L'Enfant Prodigue) in deliberate imitation of Lalo and Delibes, the popular French composers of the day. Debussy was no admirer of either man, or of any other French contemporary. To him Berlioz was "a tremendous humbug, Charpentier was "downright vulgar," Massenet a panderer of "stupid ideas and amateur standards...

Author: /time Magazine | Title: Music: The Emancipator | 12/7/1962 | See Source »

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