Word: masochistic
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Dates: during 1930-1939
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...Last of Mr. Norris is a young English Communist-intellectual. On a train to Berlin he shares a compartment with an older man, whose beautiful wig and inexplicable nervousness excite his curiosity. The young man soon discovers many a queer fact about bewigged Mr. Norris: he is a masochist, his affairs are suspiciously vague, he is somehow under the thumb of his surly secretary. Sometimes Mr. Norris seems to be rolling in money; the next, he is in Micawberish straits. Consistently disingenuous, he is soon shown to be a clumsy but optimistic liar. But the young man swallows as much...
...play concerns an actress (Margalo Gillmore) who is revisited by her deplorable husband, Stanley Vance (Ernest Milton), a homosexual masochist and the most despicable villain who has set foot on the stage since Simon Legree. Returning from a long disappearance, Vance begins to exert his baleful influence over Miss Gillmore, a spell from which she had just recovered. He makes her tie his shoes, hustle for his breakfast, breaks her spirit. Both her brother (kinetic Basil Sydney) and her manager who loves her (William Harrigan) have good reason to kill Vance. But the job is finally done very adroitly...
...gets into difficulties with his underworld associates when, to pay back a bank thief for stealing his girl, he makes less sympathetic arrangements than usual. It is notable less for Bancroft's contribution than for its villainess (Frances Dee), a pretty, well-mannered debutante who is also a masochist, a kleptomaniac and an exhibitionist. Good shot: Miss Dee hurrying off to investigate an advertisement for models, in the hope that the advertiser will attack...