Word: marienbad
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...NAME OF ALAIN RESNAIS, for students of modern film, brings to mind a host of intense and often bewildering experiences: a pursuit through the lavish and sterile baroque corridors of Marienbad, where men are frozen and statues take on life; the impossible embrace, across space and time, of Hiroshima and Nevers, France; the horrifying images of Nazi concentration camps, piercing the "night and fog" of our forgetfulness...
...improbable future on the planet of Tralfamadore, where he is doomed to pass eternity with a molestable movie star named Montana Wildhack (Valerie Perrine). In its elaborate structure and editing, its leaping bounds between fact and fancy, the film is like a version of Last Year in Marienbad revised for showing on Sesame Street...
...meeting of the film societies yesterday, Elien P. Wiese announced that Alain Resnais--French film director whose films include "Last Year at Marienbad" and "Hiroshima Mon Amour"--will speak at Harvard March 29. Dunster House, Mather House, and the Carpenter Center are sponsoring the visit...
Last Year at Marienbad, and a memorable year it was. 6, 9:40. Plus LaGuerre est Finie, 4 (weekend only) and 7:40. Two classics by Resnais, both at the Brattle until Tuesday...
...Hiroshima, Mon Amour and L'Annee Derniere a Marienbad, Alain Resnais began his explorations of time and space dislocation. His newest film, Je T'Aime, Je T'Aime, is precisely about that dislocation. A man enters a time-machine which looks like a high-school biology model of the human brain: scientists have told him that he will re-live exactly one minute of his life, at a point exactly a year ago. The machine goes berserk, and what follows is a visual montage of the man's past. Time barriers are simply not observed, and jumps from one sequence...