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Word: marienbad (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...perhaps a hotel. It is a cold summer. Perhaps everyone is resting." Everything, in other words, is equivocal. The only certainty is that Destroy, She Said is a perfect cinema parody of the maddening affectations of the French anti-novelists. During vacation week at a hotel (no, not Marienbad) in the middle of a forest, Professor Henri Garcin is seduced by another woman (Catherine Sellers) as his young wife (Nicole Hiss) looks vacantly into the camera and does a lot of wondering about illusion and reality. She is consoled by a writer (Michel Lonsdale) who talks a lot about being...

Author: /time Magazine | Title: Festivals: Modest Fame | 10/10/1969 | See Source »

...derision of U.S. movie moguls and their rampant commercialism, Pauline Kael is not an art-house snob. She prefers genuine American kitsch, if it has style and verve, to such avant-garde films as Hiroshima Mon Amour, Red Desert and Last Year at Marienbad ("the snow job in the ice palace"). Among her favorite directors are John Frankenheimer and Orson Welles, who provide "clean, fast pacing without the fancy stuff. It goes better with our national rhythm." A onetime experimental moviemaker in San Francisco, where she grew up and attended the University of California at Berkeley, she finds today...

Author: /time Magazine | Title: Critics: The Pearls of Pauline | 7/12/1968 | See Source »

...Grillet believes in the cult of impersonality. The "new novel," with which he made large literary waves during the '50s, said goodbye to psychology and presented people and their actions as reflected in surface appearances and objective happenings. In 1961 he wrote the haunting, memorable Last Year at Marienbad, a movie in which it was marvelously impossible to tell who (if anyone) was doing what (if anything) to whom, let alone...

Author: /time Magazine | Title: Cinema: Trcms-Europ Express | 6/7/1968 | See Source »

...FEMALE," the New York Daily News said, "makes I A Woman look like Mary Poppins." In truth, it make Last Year at Marienbad look like The Great Escape...

Author: By Andrew Jamison, | Title: The Female | 3/23/1968 | See Source »

...same way. Director Richard Lester, who got his start on TV, believes that television's abrupt leap from news about Viet Nam to Corner Pyle to toothpaste ads expands people's vision. "TV is best at those sudden shifts of reality. TV, not Last Year at Marienbad, made the audience notice them for the first time...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

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