Word: mammas
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Dates: during 1960-1960
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Stealthily, and above all "scientifically," the gang prepares to take its objective, a neighborhood jewelry store. The plan involves a vacant apartment through which the store can be entered. Mamma mia! A few days before the robbery the gang discovers that the apartment is not vacant at all. Two nice old ladies live there-they just never open the shutters. Fortunately, the old ladies have a pretty young housemaid. The boxer makes a date with her. She falls madly in love-and impulsively announces that she has quit...
Rage Toward Mamma. The men were more difficult to type. Explained Jacobson: "Although their physical health had been good, the incidence of severe psychopathology was high." Most of them had an "unmastered, unconscious rage toward the mother" and were deprived of close companionship with their fathers. Their relations with women were characterized "by anxiety, inhibition and avoidance." Like the nose-bobbing woman, said Psychiatrist Jacobson, the man who seeks rhinoplasty hopes to look handsome. But he is less eager to change his own psychological outlook than to change that of others toward...
...just-born world of French impressionism. "Do you realize what this means?" one of her early painting teachers asked her mother when he realized how big a talent Berthe had. "In the upper-class milieu to which you belong, this will be revolutionary. I might almost say, catastrophic." But Mamma Morisot was not afraid f having her daughter turn artist, and her husband, a well-to-do civil servant, was broad-minded enough about the girl to introduce her to Painter Camille Corot. The old artist happily accepted her as a pupil, took her out of the musty Louvre where...
...amid juvenile delinquency. Judith Abrams '60 and Sheila A. Greibach '60 collaborated on written for performance at Radcliffe on Senior Class Day. The other three items, of which more below, were The Beloved, by Timothy '60; The Card Game, by John D. Asher '61; and Oh Dad, Poor Dad, Mamma's Hung You in the closet and I'm Feelin' So Sad, by Arthur L. Kopit...
...evening they have left tooth marks on much that is fatuous, wasp stings in much that is vulgar, powder burns on a lot that is neurotic or just human. They go at each other as a way of going at many things else: they are mamma and papa, or mother and son, or lover and mistress, or brother and sister, or monsieur and madame; they coil round each other constantly like flowers, teenagers or snakes...