Word: make
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Dates: during 1950-1950
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Matter v. Spirit. For one thing, said the Pope, dogma is constantly being defined (as in the forthcoming dogma of the Assumption-TIME, Aug. 28). For another, the encyclical letters were themselves designed to clarify certain questions and so make further speculation on them unnecessary. If the encyclicals "pass judgment on a matter up to that time under dispute, it is obvious that the matter . . . cannot be any longer considered a question open to discussion...
...thinks about what lies ahead, she orders a second cup. The question Peg asks herself: "How did I ever get myself into this spot ... in a strange town, a strange school with no one in it who knows me or cares about me? I'll probably make a mess of the whole thing...
...Controls. There were other-and bigger-conflicts ahead. What would happen if Brannan wanted steel for farm machinery and the Munitions Board wanted the same steel for tanks? Or if Interior's Chapman refused to divert electric power to make aluminum Sawyer wanted? Under the law, the National Security Resources Board has power to referee interdepartmental squabbles, and NSRB Chairman Stuart Symington in effect speaks with the voice of the President. But since Cabinet members have the right of appeal from his orders, it seemed likely that most critical squabbles would land right in the lap of the President...
...death benefits, gives Actor David Wayne his first chance to cut loose with the comic talent he displayed in Broadway's Finian's Rainbow and Mister Roberts. With his help, Writer-Director Claude Binyon squeezes enough chuckles out of a series of corpses to make up for a romantic subplot that is dead on its feet...
...Arsenic and Old Lace, the picture manages nevertheless to make its irreverence amusing while generally clearing the hurdles of poor taste. It trips only when it tries to be conventional, i.e., with a love triangle in which Victor Mature, as a claims investigator, and local Insurance Agent Leif Erickson compete for the affections of Stella (Ann Sheridan), the family breadwinner, who is horrified by the schemes hatched by her ne'er-do-well relatives. As the kind of simple-shrewd, irresponsible character he plays best, Wayne is really the star of the movie, and he gets fine support from...