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...viewer synapse the completion of,” Dorsky says.“Alaya,” the oldest of the three, is distinct from the program’s bookends, focusing on the strangely captivating, almost hypnotic qualities of sand. The subject of every shot is either a macroscopic??an entire desert vibrating in the wind—or a microscopic—singular grains tumbling one over the other—perspective of sand. The grains themselves complement and enrich the grain-like quality of film, and the bluish filtering that Dorsky builds through...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Nathaniel Dorsky | 12/12/2008 | See Source »

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